Psyche: The Cult of Souls and Belief in Immortality among the GreeksRohde, Erwin
Religion
Psyche: The Cult of Souls and Belief in Immortality among the Greeks
Rohde, Erwin
Greece -- Religion
expectancy,[30\6] performed according to an archaic ritual of
ever-increasing perfection and attended by the whole of Greece, an
unusual sympathy was felt. It offered something to the eye and the
ear which was attractive to all men, and they exerted themselves to
find a satisfactory meaning in its sights and sounds. Finally, it is
likely enough that the "meaning" which they themselves had
arbitrarily bestowed upon them was what made the mysteries specially
attractive to many. To this extent it is legitimate to say that
symbolism was a real and historical factor in the constitution of
the mysteries.
Even supposing, however, that much in the presentation of this
mystic festival was consciously ordered and disposed by the founders
of it with a view to symbolic interpretation, and consequently to
the possibility of an ever-increasing idealization of its
significance, yet this cannot have extended to the hopes of a
blessed immortality revealed to the Mystai. Symbolist or
allegorizing modes of interpretation must always have been the
private concern of individuals and therefore liable to much
uncertainty and variety.[31\6] Our authorities, however, from the
most diverse periods, speak with far too great distinctness and
unanimity about the blessed hereafter vouchsafed to the initiated in
the mysteries, for it to be credible that this can have been the
outcome of any interpretation of complexities, or of any
metaphorical application of the hopes derived from events in the
life of the gods to a quite different province, the life of the
human soul. What every witness speaks of in the plainest and
simplest language without any special "mystery"--the hope of future
blessedness--must have been offered to the participants in the
mysteries in the most unequivocal fashion. It is natural, above all,
to suppose that the exhibition of the "mystic drama" included
particularly the final scene as it is sketched in the 2nd Homeric
Hymn: the foundation of the Eleusinian festival by the goddess
herself--what had once been revealed to the little city-community
must have been proclaimed to the great company of those admitted to
the common festival of Eleusis:[32\6] the highest reward of
participation in this unparalleled act of worship is what the
Homeric Hymn distinctly puts forth as such--the peculiar favour of
the gods of the lower world and a future life of blessedness within
their kingdom. The statues of the goddesses were seen radiantly
illuminated;[33\6] at this festival of grace in remembrance of their
trials, their happiness, and their beneficent acts, they {228}
themselves--as it seemed to the faithful believer--were invisibly
present. What further need of warrant was there for the promises of
future blessedness?
§ 5
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