Psyche: The Cult of Souls and Belief in Immortality among the GreeksRohde, Erwin
Religion
Psyche: The Cult of Souls and Belief in Immortality among the Greeks
Rohde, Erwin
Greece -- Religion
We ought to be able to observe the change which had come over the
conception of the future life since the days of Homer from a
consideration of the picture of the Underworld which Polygnotos of
Thasos painted on one of the walls of the Hall of the Knidians at
Delphi. The details of this picture are precisely known to us from
the account given by Pausanias. The first impression that we get
from it is the extraordinary vagueness and undeveloped state of the
mythology of the underworld at this period, about the middle of the
fifth century. On the wall was represented the questioning of
Teiresias by Odysseus; the companies of heroes, the men and women of
poetry, occupied the greater part of the space. The divine judgment
of heaven was illustrated by the figures of the Homeric "Sinners",
Tityos, Tantalos, and Sisyphos. Outside the ranks of the Heroic
company is Oknos and his {212} she-ass. But where is the reward of
virtue, the punishment of wickedness? In expiation of the worst
excesses, those committed against gods and parents, a temple-robber
receives a cup of poison from a sorceress,[22\7] and an undutiful
son is being choked by his own father.[23\7] Apart from these
evil-doers are the "uninitiated", those who have made light of the
Eleusinian mysteries. Because they have missed the "completion" of
the initiation they are now forced, men and women, to pour water
from broken pitchers into a (perforated) jar in ever-unavailing
endeavour.[24\7] There is no sign anywhere of a judge who should
separate the souls into two classes; and of the monsters of the
underworld there only appears the corpse-devouring daimon Eurynomos
who must have been known to the artist from some local legend.[25\7]
Of the reward of the "virtuous" there is not a trace, and even the
hopes of the initiated in the mysteries are only vaguely alluded to
in the casket which Kleoboia, as she crosses the river in Charon's
boat with Tellis, is holding on her knee.[26\7] This is a symbol of
the sacred mysteries of Demeter which Kleoboia once brought from
Paros to Thasos, the home of Polygnotos.
Public-domain text, read in full here on John Shaqi.
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