This interest can be counted on throughout the war. The enemy is always news. The wise enemy realizes this and keeps himself in the news, trusting that in the wider understanding of himself, his politics and culture there is the opening for a more favorable peace in the event of defeat, or for a more docile submission in the event of his own victory. Only unimportant enemies fail to become news. (Few Americans, for example, realize that we were at war with Bulgaria in World War II. Had the Bulgars developed sensational weapons, there would have been a sudden upswing of interest in them. People would have realized that Bulgaria, like Hungary and long-lost Avaria, was once a fierce Asiatic state grafted onto the European system; the fabulous power of the Old Bulgarian Empire would have become known, and the names of Krum, Symeon and the Czar Samuel added to our calendar of hate. But Bulgaria never did enough against the United States to count as an enemy, and even succeeded, by diplomatic ineptitude, in getting into a state of war with all the Axis Powers and all the United Nations simultaneously; Bulgaria escaped the fame which goes with hostility. Contrast this with Japan: thousands of Americans have learned Japanese; Japanese national character is known to us; war has done in a five-year span what education could not have accomplished in a generation.) The wise propagandist can, when in doubt, play good music on the air, or he can--with equal prudence--give the enemy his own elementary-school history and language texts. These do no harm, and may achieve something. [Illustration: _Figure 28: Nostalgic Black._ Soldiers in all wars have gotten homesick. Propaganda appeals to homesickness in many ways. One of the simplest is the device shown in this German black leaflet, which shows the husband turning off the alarm clock while the wife wakes up. The printed message on the reverse makes out a discouraging case for the soldier's opportunity to return home, pointing out that the GI in Europe, even after victory, will face "that nasty jungle war ... in the Far East." No identification of the leaflet is given.] [Illustration: _Figure 29: Nostalgic White, Misfire._ Figure 30 was carefully adapted to Japanese customs. The mere fact that the Americans knew enough about Japan to celebrate a homey Japanese holiday was probably enough to make the Japanese reader examine the leaflet carefully. Here is a combined nostalgic and surrender leaflet showing how surrender leads the Japanese soldier back to his wife and children. The drawing looks American rather than Japanese, and it is not likely that a genuine Japanese could have been made homesick by use of this leaflet.]