Psychology : $b A study of mental lifeWoodworth, Robert Sessions
Science
Psychology : $b A study of mental life
Woodworth, Robert Sessions
Psychology
The _color-tone series_ is best arranged from a collection consisting
entirely of full or saturated colors. Start the {207} series with any
color and put next to this the color that most resembles it in
color-tone, i.e., in specific color quality; and so continue, adding
always the color that most resembles the one preceding. If we started
with red, the next in order might be either a yellowish red or a
bluish red. If we took the yellowish red and placed it beside the red,
then the next in order would be a still more yellowish red, and the
series would run on to yellow and then to greenish yellow, green,
bluish green, blue, violet, purple, purplish red, and so back to red.
The color-tone series returns upon itself. It is a circular series.
[Illustration: Fig. 33.--The color circle. R, Y, G and B, stand for
the colors red, yellow, green and blue. The shaded portion corresponds
to the spectrum or rainbow. Complementary colors (see later) lie
diametrically opposite to each other on the circumference.]
A _saturation series_ runs from full-toned or saturated colors to pale
or dull. Since we can certainly say of a pale blue that it is less
saturated than a vivid red, etc., we could, theoretically, arrange our
whole collection of bits of color in a single saturation series, but
our judgment would be very uncertain at many points. The most
significant saturation series confine themselves to a single
color-tone, {208} and also, as far as possible, to a constant
brightness, and extend from the most vivid color sensation obtainable
with this color-tone and brightness, through a succession of less and
less strongly colored sensations of the same tone and brightness, to a
dead gray of the same brightness. Any such saturation series
terminates in a neutral gray, which is light or dark to match the rest
of the particular saturation series.
White, black and gray, which find no place in the color-tone series,
give an intensity series of their own, running from white through
light gray and darker and darker gray to black, and any gray in this
series may be the zero point in a saturation series of any color-tone.
Public-domain text, read in full here on John Shaqi.
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