The law of combination, from its name, is open to a possible misconception, as if we reached out and grasped and combined the stimuli, whereas ordinarily we do nothing to the stimuli, except to see them and recognize them, or in some such way respond to them. The combination is something that happens _in us_; it is our response. If the expression were not so cumbersome, we might more accurately name this law that of "unitary response to a plurality of stimuli". Sometimes, indeed, we do make an actual motor response to two or more stimuli, as when we strike a chord of several notes on the piano. The law of combination still holds good here, since the movements of the two hands are coördinated into a single act, which is thought of as a unit ("striking a chord"), attended to as a unit, and executed as a unit. Such coördinated movements may be called "higher motor units", and we shall find much to say regarding them when we come to the subject of learned reactions. The law of combination, all in all, will be found later to have extreme importance in learned reactions. Passing now to another side of the study of attention, we shall immediately come across a sixth law to add to our list. {265} Attention and Degree of Consciousness Up to this point, the introspective side of the psychology of attention has not been considered. One of the surest of all introspective observations belongs right here, to the effect that we are more conscious of that to which we are attending than of anything else. Of two stimuli acting at once upon us, we are the more conscious of that one which catches our attention; of two acts that we perform simultaneously, that one is more conscious that is performed attentively. We need not be entirely unconscious of the act or the stimulus to which we are not attending. We may be dimly conscious of it. There are degrees of consciousness. Suppose, for example, you are looking out of the window while "lost in thought". You are most conscious of the matter of your thoughts, but conscious to a degree of what you see out of the window. Your eyes are focused on some particular object outside, and you are more conscious of this than of other objects seen in indirect vision, though even of these last you are not altogether unconscious. Consciousness shades off from high light to dim background. The "field of attention" is the maximum or high light of consciousness; it comprises the object under attentive observation, the reaction attentively performed. The "field of consciousness" includes the field of attention and much besides. It includes objects of which we are vaguely aware, desires active but not clearly formulated, feelings of pleasantness or unpleasantness, of tension, excitement, confidence, etc.