The next thing to be noticed is this, that _every one of the bodily changes, whatsoever it be, is_ FELT, _acutely or obscurely, the moment it occurs_. If the reader has never paid attention to this matter, he will be both interested and astonished to learn how many different local bodily feelings he can detect in himself as characteristic of his various emotional moods. It would be perhaps too much to expect him to arrest the tide of any strong gust of passion for the sake of any such curious analysis as this; but he can observe more tranquil states, and that may be assumed here to be true of the greater which is shown to be true of the less. Our whole cubic capacity is sensibly alive; and each morsel of it contributes its pulsations of feeling, dim or sharp, pleasant, painful, or dubious, to that sense of personality that every one of us unfailingly carries with him. It is surprising what little items give accent to these complexes of sensibility. When worried by any slight trouble, one may find that the focus of one's bodily consciousness is the contraction, often quite inconsiderable, of the eyes and brows. When momentarily embarrassed, it is something in the pharynx that compels either a swallow, a clearing of the throat, or a slight cough; and so on for as many more instances as might be named. The various permutations of which these organic changes are susceptible make it abstractly possible that no shade of emotion should be without a bodily reverberation as unique, when taken in its totality, as is the mental mood itself. The immense number of parts modified is what makes it so difficult for us to reproduce in cold blood the total and integral expression of any one emotion. We may catch the trick with the voluntary muscles, but fail with the skin, glands, heart, and other viscera. Just as an artificially imitated sneeze lacks something of the reality, so the attempt to imitate grief or enthusiasm in the absence of its normal instigating cause is apt to be rather 'hollow.'