Psychology of the Unconscious: A Study of the Transformations and Symbolisms of the Libido. A Contribution to the History of the Evolution of ThoughtJung, C. G. (Carl Gustav)
Philosophy
Psychology of the Unconscious: A Study of the Transformations and Symbolisms of the Libido. A Contribution to the History of the Evolution of Thought
Jung, C. G. (Carl Gustav)
Libido (Psychology); Mother and child; Psychoanalysis; Subconsciousness; Symbolism (Psychology)
It is easy to understand the maiden as a symbol of the libido used in
the sense of causative comparison. The snake in Paradise is usually
considered as feminine, as the seductive principle in woman, and is
represented as feminine by the old artists, although properly the snake
has a phallic meaning. Through a similar change of meaning the snake in
antiquity becomes the symbol of the earth, which on its side is always
considered feminine. The bull is the well-known symbol for the
fruitfulness of the sun. The bull gods in the Mithraic liturgy were
called κνωθακοφύλακες, “guardians of the axis of the earth,” by whom the
axle of the orb of the heavens was turned. The divine man, Mithra, also
had the same attributes; he is sometimes called the “Sol invictus”
itself, sometimes the mighty companion and ruler of Helios; he holds in
his right hand the “bear constellation, which moves and turns the
heavens.” The bull-headed gods, equally ἱεροὶ καὶ ἄλκιμοι νεανίαι with
Mithra himself, to whom the attribute νεώτερος, “young one,” “the
newcomer,” is given, are merely attributive components of the same
divinity. The chief god of the Mithraic liturgy is himself subdivided
into Mithra and Helios; the attributes of each of these are closely
related to the other. Of Helios it is said: ὄψει θεὸν νεώτερον εὐειδῆ
πυρινότριχα ἐν χιτῶνι λευκῷ καὶ χλαμύδι κοκκίνῃ, ἔχοντα πύρινον
στέφανον.[160]
Of Mithra it is said: ὄψει θεὸν ὑπερμεγέθη, φωτινὴν ἔχοντα τὴν ὄψιν,
νεώτερον, χρυσοκόμαν, ἐν χιτῶνι λευκῳ καὶ χρυσῳ στεφάνῳ καὶ ἀναξυρίσι,
κατέχοντα τῇ δεξιᾷ χειρὶ μόσχου ὦμόν χρύσεον, ὅς ἐστιν ἄρκτος ἡ κινοῦσα
καὶ ἀντιστρέφουσα τὸν οὐρανόν, κατὰ ὥραν ἀναπολεύουσα καὶ καταπολεύουσα.
ἔπειτα ὄψει αὐτοῦ ἐκ τῶν ὀμμάτων ἀστραπὰς καὶ ἐκ τοῦ σώματος ἀστέρας
ἁλλομένους.[161]
If we place fire and gold as essentially similar, then a great accord is
found in the attributes of the two gods. To these mystical pagan ideas
there deserve to be added the probably almost contemporaneous vision of
Revelation:
“And being turned, I saw seven golden candlesticks. And in the midst
of the candlesticks[162] one like unto the son of man, clothed with a
garment down to the foot, and girt about at the breasts with a golden
girdle. And his head and his hair were white as white wool, white as
snow, and his eyes were as a flame of fire. And his feet like unto
burnished brass, as if it had been refined in a furnace; and his voice
as the sound of many waters. And he had in his right hand seven
stars,[163] and out of his mouth proceeded a sharp two-edged
sword,[164] and his countenance was as the sun shineth in his
strength.”—_Rev._ i: 12 ff.
“And I looked, and beheld a white cloud, and upon the cloud I saw one
sitting like unto the son of man, having on his head a golden crown,
and in his hand a sharp sickle.”[165]—_Rev._ xiv: 14.
Public-domain text, read in full here on John Shaqi.
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