Because the one born was his own procreator, the history of his procreation is strangely concealed under symbolic events, which are meant to conceal and deny it; hence the extraordinary assertion of the virgin conception. This is meant to hide the incestuous impregnation. But do not let us forget that this naïve assertion plays an unusually important part in the ingenious symbolic bridge, which is to guide the libido out from the incestuous bond to higher and more useful applications, which indicate a new kind of immortality; that is to say, immortal work. The environment of Hiawatha’s youth is of importance: “By the shores of Gitche Gumee, By the shining Big-Sea-Water, Stood the wigwam of Nokomis, Daughter of the Moon, Nokomis. Dark behind it rose the forest, Rose the black and gloomy pine-trees, Rose the firs with cones upon them. Bright before it beat the water, Beat the clear and sunny water, Beat the shining Big-Sea-Water.” In this environment Nokomis brought him up. Here she taught him the first words, and told him the first fairy tales, and the sounds of the water and the wood were intermingled, so that the child learned not only to understand man’s speech, but also that of Nature: “At the door on summer evenings Sat the little Hiawatha; Heard the whispering of the pine-trees, Heard the lapping of the water, Sounds of music, words of wonder: ‘Minne-wawa!’[641] said the pine-trees, ‘Mudway-aushka!’[642] said the water.”