Psychology of the Unconscious: A Study of the Transformations and Symbolisms of the Libido. A Contribution to the History of the Evolution of ThoughtJung, C. G. (Carl Gustav)
Philosophy
Psychology of the Unconscious: A Study of the Transformations and Symbolisms of the Libido. A Contribution to the History of the Evolution of Thought
Jung, C. G. (Carl Gustav)
Libido (Psychology); Mother and child; Psychoanalysis; Subconsciousness; Symbolism (Psychology)
This case throws a light upon the mechanism of the phantasies in
general. The known, conscious phantasy may be of mythical or other
material; it is not to be taken seriously as such, for it has an
indirect meaning. If we take it, however, as important per se, then the
thing is not understandable, and makes one despair of the efficiency of
the mind. But we saw, in the case of Abbé Oegger, that his doubts and
his hopes did not turn upon the historical problem of Judas, but upon
his own personality, which wished to win a way to freedom for itself
through the solution of the Judas problem.
_The conscious phantasies tell us of mythical or other material of
undeveloped or no longer recognized wish tendencies in the soul._ As is
easily to be understood, an innate tendency, an acknowledgment of which
one refuses to make, and which one treats as non-existent, can hardly
contain a thing that may be in accord with our conscious character. It
concerns the tendencies which are considered immoral, and as generally
impossible, and the strongest resentment is felt towards bringing them
into the consciousness. What would Oegger have said had he been told
confidentially that he was preparing himself for the Judas rôle? And
what in ourselves do we consider immoral and non-existent, or which we
at least wish were non-existent? It is that which in antiquity lay
widespread on the surface, viz., sexuality in all its various
manifestations. Therefore, we need not wonder in the least when we find
this at the base of most of our phantasies, even if the phantasies have
a different appearance. Because Oegger found the damnation of Judas
incompatible with God’s goodness, he thought about the conflict in that
way; that is the conscious sequence. Along with this is the unconscious
sequence; because Oegger himself wished to be a Judas, he first made
sure of the goodness of God. To Oegger, Judas was the symbol of his own
unconscious tendency, and he made use of this symbol in order to be able
to meditate over his unconscious wish. The direct coming into
consciousness of the Judas wish would have been too painful for him.
_Thus, there must be typical myths which are really the instruments of a
folk-psychological complex treatment._ Jacob Burckhardt seems to have
suspected this when he once said that every Greek of the classical era
carried in himself a fragment of the Oedipus, just as every German
carries a fragment of Faust.[55]
The problem which the simple story of the Abbé Oegger has brought
clearly before us confronts us again when we prepare to examine
phantasies which owe their existence this time to an exclusively
unconscious work. We are indebted for the material which we will use in
the following chapters to the useful publication of an American woman,
Miss Frank Miller, who has given to the world some poetical
unconsciously formed phantasies under the title, “Quelque faits
d’imagination créatrice subconsciente.”—_Vol. V., Archives de
Psychologie, 1906._[56]
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