Before we go into the material which Miss Miller offers us for the understanding of the poem, we will again cast a glance over the psychologic situation in which the poem originated. Some months or weeks appear to have elapsed since the last direct manifestation of the unconscious that Miss Miller reported to us; about this period we have had no information. We learn nothing about the moods and phantasies of this time. If one might draw a conclusion from this silence it would be presumably that in the time which elapsed between the two poems, really nothing of importance had happened, and that, therefore, this poem is again but a voiced fragment of the unconscious working of the complex stretching out over months and years. It is highly probable that it is concerned with the same complex as before.[107] The earlier product, a hymn of creation full of hope, has, however, but little similarity to the present poem. The poem lying before us has a truly hopeless, melancholy character; moth and sun, two things which never meet. One must in fairness ask, is a moth really expected to rise to the sun? We know indeed the proverbial saying about the moth that flew into the light and singed its wings, but not the legend of the moth that strove towards the sun. Plainly, here, two things are connected in her thoughts that do not belong together; first, the moth which fluttered around the light so long that it burnt itself; and then, the idea of a small ephemeral being, something like the day fly, which, in lamentable contrast to the eternity of the stars, longs for an imperishable daylight. This idea reminds one of Faust: “Mark how, beneath the evening sunlight’s glow The green-embosomed houses glitter; The glow retreats, done is the day of toil, It yonder hastes, new fields of life exploring; Ah, that no wing can lift me from the soil Upon its track to follow, follow soaring! Then would I see eternal Evening gild The silent world beneath me glowing.... Yet, finally, the weary god is sinking; The new-born impulse fires my mind,— I hasten on, his beams eternal drinking, The day before me and the night behind, Above me heaven unfurled, the floor of waves beneath me,— A glorious dream! though now the glories fade. Alas! the wings that lift the mind no aid Of wings to lift the body can bequeath me.” Not long afterwards, Faust sees “the black dog roving there through cornfields and stubble,” the dog who is the same as the devil, the tempter, in whose hellish fires Faust has singed his wings. When he believed that he was expressing his great longing for the beauty of the sun and the earth, “he went astray thereover” and fell into the hands of “the Evil One.” “Yes, resolute to reach some brighter distance, On earth’s fair sun I turn my back.”