All this passed long ago. Now my indignation brings the smile to my lips. Nothing more. I have learned to make the most of my {161} bargain. If I made a mistake, and married a clarionet in place of a first-class tenor, I determined not to die of grief, but rather to be as brave as beautiful, and devote myself to cultivating all that was good in my Bull-dog. He has left off wearing his cap, and positively plays better; his walk is improved, and, by the dim light of the lamp, his profile is marked by a certain character. “How pretty you are, little heartless one,” he sometimes says. I reply in the same tone, “How ugly you are, my fat jealous one.” [Illustration] {162} [Illustration] TOPAZ THE PORTRAIT-PAINTER. [Illustration] I am his heir, I was his confidant, so that no one can better relate his history than myself. Born in a virgin forest in Brazil—where his mother rocked him on interlacing boughs—when quite young he was caught by Indian hunters and sold at Rio, with a collection of parrots, paroquets, humming-birds, and buffalo-skins. He was brought to Havre in a ship, where he became the pet of the sailors, who, in addition to teaching him to handle the ropes, made him acquainted with all manner of tricks. His sea-life was so full of fun and frolic, that he would never have regretted quitting his forest home had he not left the warm sunshine behind. The captain of the ship, who had read “Voltaire,” called him Topaz, after Rustan’s good valet, because he had a bare, yellow face. Before arriving in port, Topaz had received an education similar to that of his {163} fellow countryman on the barge, Vert-Vert, who shocked the nuns by his manner. That of Topaz was also decidedly briny, as was quite natural from his nautical experience. Once in France, he might easily have passed for a second Lazarelle de Tormes, or another Gil Blas, if one cared to name all the masters under which he studied up to the time of full-grown Monkeyhood. Suffice it to say, that as a youth he lodged in an elegant boudoir in the rue Neuve-Saint-Georges, where he was the delight of a charming personage, who finished his education by treating him as a spoilt child. He led an easy life, and was happier than a prince. In an unlucky hour he bit the nose of a respectable old dotard called the Count, the protector of his fair mistress. This liberty so incensed the old gentleman, he at once declared that the lady must choose between him and the beast, one of the two must leave the house. The tyranny of a rich, old husband prevailed, and Topaz was secretly sent to the studio of a young artist, to whom the lady had been sitting for her portrait.