Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
About this time Daguerre, a scenic artist, completed the discovery
which has rendered his name famous. He made an important step in
science by fixing the photographic image, so that objects, animate
and inanimate, might be caught on a silver plate. Thus photography
became the handmaid of science and art. I had just made the
acquaintance of a musical genius—human—to whom nature had refused
both voice and ear; he sang out of tune, danced out of time, and for
all that, was passionately fond of music. He had masters for the
piano, flute, hunting-horn, and accordion. He tried the different
methods of Wilhem, Paston, Cheve, and Jocotot. None of them answered,
he could neither produce time nor harmony; what did he do in order
to satisfy his taste? He bought a barrel-organ and took his money’s
worth out of it, by turning the handle night and day. He certainly
had the wrist of a musician.
It was a similar expedient which brought back Topaz to life, with
its hopes of fame, fortune, and apostolic insignia. The Jesuits and
Turks say the end justifies the means, so, acting on this philosophic
saying, Topaz adroitly stole a purse from a rich financier who was
sleeping in his master’s studio, while the latter was trying to
paint his portrait. With this treasure he bought his barrel-organ,
a photographic camera, and learning how to use it, he all at once
became artist, painter, and man of science.
This talent acquired, added to a brace of fine names, he felt already
half way towards reaching the coveted goal. To realise his hopes, he
took his passage at Havre in a ship about to cross the Atlantic, and
after a prosperous voyage, again set foot on the shore where, only
a few years before, he had embarked for France. What a change had
come over his position. From Monkey-boy he had become Monkey-man.
In place of a prisoner of war he had become free, and above all,
from an ignorant brute—the condition in which Nature sent him into
the world—he had developed into a sort of civilised ape. His heart
beat fast as he landed on his native soil. It was sweet to visit
familiar scenes, after so long an absence. Without losing so much
time as I take to write, he started off, camera on back, to seek the
grand solitudes of his infancy, where he hoped to become the pioneer
of progress. In his secret heart—he owned it to me—there was still
the burning desire for fame. He hoped to create a sensation, to be
regarded as {166} more than a common beast to enjoy the victory he
would so easily win, over the natives of the country, by his title
of Illustrious Traveller, backed by his knowledge and his wonderful
machine. These were his true sentiments, but he cherished the
delusion that he was impelled onwards by the irresistible force which
urges forward the predestined ones—the leaders of mankind—to play
their part in the world. Arrived at the scene of his birth, without
even looking up his friends and relatives, Topaz pitched his camp
Public-domain text, read in full here on John Shaqi.
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