Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
Unfortunately, though well pleased to witness the gambols of the
assembly, owing to my superior stature I failed to catch a single
word in the confusion of voices, and I retired sickened and deafened
by the vociferation, grinding of teeth, whisking of tails, whistling
and howling, without being able to form a conjecture as to the
subject under discussion.
For all that, something was carried, and the speeches, it is said,
appeared in the official organ next day in most harmonious prose.
There are those who say that all the _séances_ resemble this one
in a greater or less degree, so I shall dispense with witnessing
another.[2]
[2] It is evident that the Giraffe falls into a mistake, which
is scarcely an excusable one were she not quite innocent.
Confined in the Jardin des Plantes, she could not visit the
Chamber of Deputies, which she imagines she is describing. What
she did see was the Monkeys’ palace.—ED.
I had proposed to give you, before closing my letter, some specimens
of the language now used in Paris. You will be able to form your own
notions of it from the following sentences, which have just been
exchanged between a young man with a Bison’s beard, and a young woman
with the eyes of a Gazelle, to whom he was trying to justify his long
absence:—
“I was preoccupied, beautiful Isoline, with sublime ideas, of which
your woman’s heart has the noble intuition. Placed by the capacities
which they have been willing to accord to me at the zenith of the
adepts of perfectionabilisation, and long absorbed in philosophic,
philanthropic, and humanitarian speculations, I was tracing the plan
of a political encyclism which would moralise all peoples, harmonise
all institutions, utilise all the faculties, and develop all the
sciences; but I was not the less drawn towards you by the most
passionate attraction, and I”——
“Say no more,” solemnly interrupted Isoline; “do not think me a
stranger to those lofty aspirations, and pray do not suspect my
spirit capable of being charmed by the baits of a coarse nature.
Proud of your destiny, dear Adhimar, in the sentiment which unites us
I only see an elective affinity which the instinct of cohesion has
confounded {360} with a sympathetic individuality, or, to express
myself more clearly, the fusion of these isolated idiosyncrasies
which feel the need of becoming simultaneous.”
Here the conversation was continued in a low voice, and I think I may
suppose that it became more intelligible, for the young philosopher
was beaming with pleasure when he left Isoline.
THE GIRAFFE.
[Illustration]
{361}
THE CROAKINGS OF A CROW.
Public-domain text, read in full here on John Shaqi.
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