Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
From the moment of entering seriously on my journeys, I was reminded
of this proverb by a celebrated moralist.—“One travels in order
to relate one’s travels.” I determined to follow this maxim, and
accordingly, armed with note book, set out to explore the world. As
occasion presented itself, I related my adventures, and was fortunate
in securing listeners who, however, were afraid to applaud what
might prove unpopular. At last a bird (in truth no friend of mine),
well-known in fashionable circles, hazarded his patronage, saying
aloud with the most perfect assurance, that my tales were decidedly
good. That made my fortune, not that my tales were improved by this
notice, but they became sanctioned, so to speak. Soon my stories
flew from beak to beak; I found them everywhere. However little one
deserves praise, it is always flattering, I therefore continue.
AN OLD CASTLE.
There was once an old castle—I begin story-telling after the good old
fashion, it somehow gives one a fair start, and it is expected—
There was once an old castle, the castle of . . . it neither matters
what nor where.
At a time when France boasted almost impregnable castles, this one
had often resisted the fiercest onslaughts, although it had been
taken and retaken times without number, when the loves of valiant
knights for maidens fair caused many bitter feuds. The castle during
troublous {372} times had been overthrown little by little, so that
almost nothing remained of the original building.
It is sufficient to say, it was taken and pillaged during the
Revolution of ’93, which demolished many old strongholds; after that
of 1815 it was about to be restored, and its fortune was visibly
brightening when overtaken by the Revolution of 1830, so ably
described by the Hare in the opening pages of this book.
The old fortress was then deprived of its rank and ancient
aristocratic fame, and in its degradation, sold to a banker, an
individual who, although rich, was ignorant of the archæological
fitness of things. So it turned out that the purchaser while devoting
wealth and ambition to his new property, gave it the final blow.
Masons were seen at work everywhere, filling up holes, plastering
and whitewashing walls; just as if seeking to impart a delicate
grace and refinement to a rugged old rock. A terrace was built
(_renaissance!_), supposed to be in keeping with the old remaining
parts of the castle, and the chapel became a billiard room. The old
place was thoroughly rebuilt, and the new owner satisfied. There was
a little of everything about it. Every style under heaven figured
in the edifice, the heterogeneous mixture being hideous enough, to
disturb the reposing dust of ancient Byzantine architects. For all
that, the restoration was much applauded by the courtiers of this
king of bullion.
Some parts of the building were happily overlooked, or rather saved.
Public-domain text, read in full here on John Shaqi.
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