Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
“You little affected monster, do not add to your ridiculous
appearance by simulating wisdom and modesty. You are neither rich
enough nor independent enough to indulge in such vanities. You are
{83} doomed to be hated, strive to hate in return, it will give
you strength, and when one is strong, one is joyful. Should any
one approach you, spit at him! Resent even a look by your noxious
spittle. Show your spots, your wounds, your slimy horrors. Make men
flee and dogs bark at your hideousness. May the hatred of others be a
shield to you. You, if you are not a fool, will find joy in hating.
Be proud of your horrible envelope, as I am of my quills, and above
all, do as I do—love no one.”
“If you do not love me a little”—here he burst out laughing—“just a
very little, why do you give me such good advice?”
“Why, my simple friend,” he said, “I do not love you. You amuse me,
since the _rôle_ you are about to play resembles my own. My enemies
will be yours also. Don’t you see that the prospect of wounding their
superfine feelings through such an ugly medium affords me a new
pleasure? Let us be mutually accommodating, a joint-stock thorough
nuisance to all who affect to loathe what God has made for some good
end. I hardly know what I am made for, and next to erecting my quills
offensively, like the bayonets on which some thrones are built, my
chief happiness consists in doing nothing.”
These maxims seemed odious to me. I had no hand in making myself,
otherwise my mouth should have been more contracted, and my stomach
less capacious. Had I been consulted, I hardly think I would have
chosen a “fretful porcupine” as my model, nor yet my father, poor
old toad! who lived a contented sober life, and died regretting
that his paunch had reached its fullest rotundity. It was no fault
of mine that I inspired horror. If ugly and deformed, I was endowed
with a profound love of the beautiful, which compensated in some
measure for my awkward appearance, and, if I may use the expression,
with a merciful provision of vanity, which enabled me ever to admire
and cherish my own body. If my body was all too solid to respond
to my every wish, yet my dreams and imaginings were unfettered as
the wind. The reader, if he cares to study the habits of such an
humble creature as the toad, will discover much truth in what I say;
moreover, if he be an ill-favoured person, he may find comfort in my
philosophic view of life.
A love-sick toad may be deemed by some an object worthy of ridicule;
nevertheless, as my romantic experiences form one of the most
eventful pages in my history, I am bound to take the reader into my
confidence. {84}
Public-domain text, read in full here on John Shaqi.
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