Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
_Gnawer._ Believe me, you are wrong. Life is not a bad thing. It
has its hours of joy and hours of sorrow. I myself have more than
once seen our last foe face to face, and yet I live. The traps made
by man are not so cleverly constructed that one may not escape from
them, and the cat’s claws are not always fatal. If my poor father
were living, he would tell you how by patience and perseverance a
rat may draw himself out of even the most perilous situations. I was
still very young when one day the smell of a nice piece of bacon led
him into one of those traps, vulgarly called rat-traps. We all met
around his prison, and imitating our poor mother, wept and clamoured
for his release. My father, calm, dignified, and self-possessed even
in misfortunes, said, “Stop your crying and work, every mother’s
son of you. The enemy may be hidden only a few steps off. Those
traps invented by the perversity of man are simple enough. The
door hangs on a lever” (my father had finished his education by
devouring a dry scientific encyclopædia; he therefore knew a little
of everything). “It is said that a lever and a weight might lift
the world. If by applying weight to this lever you can give me back
my liberty, you shall have achieved a nobler work. All of you climb
to the top of my prison and hang on to the long end of the lever.”
Executing his orders promptly, we succeeded in raising the door and
saving my father. Suddenly, with a terrible spring, a furious Tom
cat leaped upon us. “Fly!” cried my father, whose courage remained
unshaken—“fly! I alone will face the enemy.” A fierce struggle
ensued, in which my father, severely wounded, lost his tail, but not
his life. Soon after he regained our domestic hole, and while we
licked the blood from his wounds, he smilingly said to us, “You see,
my children, danger is like drifting wood—portentous in the distance,
paltry when it has drifted past.”
_Trotter._ [_Coolly._] That is just my sentiment; I have no dread of
danger, I could face anything. {103}
At this moment a noise is heard like a pebble on the window, Trotter
is about to flee, Gnawer prevents him.
[Illustration]
_Gnawer._ Ah, my friend, where is your boasted courage? You {104}
begin to face danger by running away. Calm yourself, I know this
signal. It is Toinon’s lover throwing stones at the window. We may
remain here. Lovers are dangerous to no one, they only think of
themselves.
SCENE III.
THE SAME.
Toinon has softly opened the door and crossed the room on tiptoe;
she approaches the window and whispers, “Is that you, Paul? How very
imprudent! Oh! if my father were to come in.”
_A Voice._ It is now two whole days since I saw you. I could wait no
longer. Is your father still opposed to me?
_Toinon._ More than ever, love! He means to go to law.
_Paul._ What? to law about my cousin Michonnet’s house?
_Toinon._ Exactly.
_Paul._ Seeing that it was left to me lawfully, it is mine.
_Toinon._ My father has a will which, he says, renders yours invalid.
Public-domain text, read in full here on John Shaqi.
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