Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
“This spurious air, which had sprung up like a jack-in-the-box, had
been danced to for at least ten years; one had had enough of it in
every possible form, but the audience seemed to recognise in the air
a delightful old friend.
“At the close of this inspired theme and its endless chain of
varieties the performer played the tune with one foot on the base
keys, while the remaining ninety-nine feet were producing a furious
running accompaniment on the treble, ascending and descending in
interminable runs of demi-semiquavers.
“These were repeated over and over to the infinitely growing delight
of the assembly. All at once the clamour ceased and the virtuoso
counted time with the treble, like the slow tolling of the bell of
doom that seemed to say, ‘Tremble! tremble! thy death is at hand!’
The artist-executioner then seized the doomed air as a Turk would
a Christian, tore off its limbs one by one, cut up its simple
face, twisted its fingers, and dashed its common metre into the
splinters of six-eight time. Here, in a frenzy of rage, he tossed the
disjointed members on to the hot anvil of his key-board and pounded
them into dust, blinding and stifling one’s senses.
“The Centipede continued to hammer louder and louder, faster and
faster, keeping the dust of the pulverised air floating in a tempest
around, and his audience in a tumult of excitement. The measure was
left to look out for itself amid the din and confusion. The insects,
seized with the contagion of the musical slaughter, kept time with
the fluctuating measure until their bodies shook as if with palsy.
“Composedly retiring within myself, I escaped the excitement, while
the piece concluded with prolonged banging of chords, by which one
discovered the true genius of the Centipede.
“ ‘Oh, the power of music!’ said a moth to her neighbour. ‘My {117}
soul has been wafted to the luminous spheres of the firmament, ah
me!’ and she fainted away. Another exclaimed, ‘How wonderful! In
these few minutes I have climbed to the last rung of the ladder of
passion, love, jealousy, despair, fury—I have experienced all these
in the twinkling of an eye. For pity’s sake, some air—open a window!’
‘Oh!’ cried a third, ‘I have become the slave of harmony. Why can
it not leave my imagination to slumber in peace? I have seen white
ants devouring their young; bees stinging each other; mosquitoes
drawing blood from stones; centipedes committing suicide; charming
butterflies metamorphosed into death’s-head moths.’
“ ‘Alas!’ said an old Cantharis, ‘what delight, what bliss to possess
such genius! This centipede is truly wonderful! wonderful!!’
“I turned towards a large gadfly who appeared to have some common
sense, and inquired timidly if it were not my ignorance which
rendered me unable to appreciate the marvels which are being
applauded.
Public-domain text, read in full here on John Shaqi.
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