Pugilistica: The History of British Boxing, Volume 2 (of 3): Containing Lives of the Most Celebrated Pugilists; Full Reports of Their Battles from Contemporary Newspapers, With Authentic Portraits, Personal Anecdotes, and Sketches of the Principal Patrons of the Prize Ring, Forming a Complete History of the Ring from Fig and Broughton, 1719-1740, to the Last Championship Battle Between King and Heenan, in December 1863Miles, Henry Downes
History
Pugilistica: The History of British Boxing, Volume 2 (of 3): Containing Lives of the Most Celebrated Pugilists; Full Reports of Their Battles from Contemporary Newspapers, With Authentic Portraits, Personal Anecdotes, and Sketches of the Principal Patrons of the Prize Ring, Forming a Complete History of the Ring from Fig and Broughton, 1719-1740, to the Last Championship Battle Between King and Heenan, in December 1863
Miles, Henry Downes
Boxing
9.—It was now a blinking concern, both their peepers being
materially damaged. The Gamekeeper’s right hand appeared to have
given way, and he made his blows at random. Painter took the lead in
fine style, and finished the round by flooring his adversary. This
was the first knock-down blow.
10.—Painter still kept the advantage, but in closing both down.
11.—Alexander contested his ground ably, but Painter had the best of
the hitting. In struggling to obtain the throw the latter
experienced a severe cross-buttock.
12.—It was altogether a sporting fight; another change had taken
place, and the Gamekeeper appeared the freshest man. Alexander
commenced play with increased spirit. A desperate rally took place,
in which Painter received a severe blow again under his ear, and he
was ultimately thrown.
13.—The Gamekeeper kept the advantage, and also brought into play
his left hand, which had hitherto been neglected. Painter exhibited
great weakness, and Alexander improved this opportunity with
considerable skill by putting in some good blows, and ultimately
obtained the throw. Alexander was again the favourite in point of
betting.
14.—One of Painter’s eyes was completely closed, and the Gamekeeper
did everything in his power to put the other into a state of
darkness, but in this attempt he was floored so severely by Painter
that he went down nob foremost.
15.—In favour of Painter; but both down, and Alexander undermost.
16 to 20.—These rounds were in favour of Alexander, who fought with
his left hand at Painter’s half-closed eye. The latter stood up
manfully to his opponent, but seemed incapable of hitting
effectively. Alexander was best in wind and strength, and was booked
as the winning man. (Three to one was boldly offered in his favour).
21 and last.—Such is the uncertainty of war, that although victory
seemed within the grasp of Alexander, yet from a straight
well-directed hit at the “mark,” Painter was announced the conqueror
in a twinkling. It positively electrified the “knowing ones” (who
had just before sported the odds against Painter), to see Alexander
stagger away from his opponent. The Gamekeeper fell heavily and
could not be brought to time. The battle continued for near forty
minutes.
REMARKS.—This was a proud day for the Lancashire fancy, and Bob
Gregson felt considerable exultation in having produced a hero who
bid fair to obtain a high place on the roll of fame. Painter was
brought home to the Castle Tavern with the honours of a triumphal
entry.
Painter, from this conquest, was deemed a match for Tom Oliver; but here
the smiles of conquest deserted our hero, who experienced a most gallant
defeat. For an account of this memorable battle, see Life of OLIVER,
Chapter IV.
Public-domain text, read in full here on John Shaqi.
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