Pugilistica: The History of British Boxing, Volume 2 (of 3): Containing Lives of the Most Celebrated Pugilists; Full Reports of Their Battles from Contemporary Newspapers, With Authentic Portraits, Personal Anecdotes, and Sketches of the Principal Patrons of the Prize Ring, Forming a Complete History of the Ring from Fig and Broughton, 1719-1740, to the Last Championship Battle Between King and Heenan, in December 1863Miles, Henry Downes
History
Pugilistica: The History of British Boxing, Volume 2 (of 3): Containing Lives of the Most Celebrated Pugilists; Full Reports of Their Battles from Contemporary Newspapers, With Authentic Portraits, Personal Anecdotes, and Sketches of the Principal Patrons of the Prize Ring, Forming a Complete History of the Ring from Fig and Broughton, 1719-1740, to the Last Championship Battle Between King and Heenan, in December 1863
Miles, Henry Downes
Boxing
Painter showed himself near the ring sitting on a basket a considerable
time before the Black appeared in sight. In fact, he was sent for by the
Commander-in-chief.[31] Sutton at length came forward with his second
and threw his hat in the ring, which was soon followed by his opponent
performing the same act of defiance. During the time Painter was taking
off his clothes Sutton never took his eyes off his person. Cribb and
Harmer seconded Painter; Tom Oliver and Paddington Jones waited upon
Sutton. The anxious moment had now arrived (ten minutes after one); the
combatants and seconds shook hands, and the battle commenced. Both men
appeared in good condition, but Painter looked somewhat thin. Five to
four upon Sutton.
THE FIGHT.
Round 1.—Some trifling sparring occurred. Sutton’s long arm stood
out like a pole, and upon the whole his frame looked tremendous.
Painter hit first, but not effectively, when they got to hammering
each other, and arrived at the ropes. Here Ned fibbed his opponent
severely, until the strength of Sutton enabled him to break away.
The Black now returned to the attack impetuously, but without
judgment, and got nobbed preciously for his fury. Painter went down
from a slight hit or a slip.
2.—The men were now both upon their mettle, and the tremors of a
first round had subsided. Notwithstanding the Black’s long arm the
science of Painter prevailed to that extent upon Sutton’s upper
works that he seemed to possess a body without a head. It was almost
a question if he knew whether he was in or out of the ring. A
desperate rally occurred, and, in closing, Painter endeavoured again
to fib his opponent. The Black caught hold of his hand to avoid
punishment, and ultimately Painter was down.
3.—It is impossible to describe the execution which took place on
both sides during this round. If one was bold, the other was
fearless: it was hit for hit, in the most finished style of boxing;
in fact, it was truly tremendous, and the amateurs were now
convinced that the man of colour possessed “devil” enough for
anything. At length Painter planted a body blow with so much
severity that the Black was missing in a twinkling, and seen gasping
for breath on the ground. (The uproarious applause that took place
was like a fire of artillery, the confusion of tongues immense.
“That’s the way to win my boy!” and two to one all round the ring
upon Painter.)
Public-domain text, read in full here on John Shaqi.
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