Pugilistica: The History of British Boxing, Volume 2 (of 3): Containing Lives of the Most Celebrated Pugilists; Full Reports of Their Battles from Contemporary Newspapers, With Authentic Portraits, Personal Anecdotes, and Sketches of the Principal Patrons of the Prize Ring, Forming a Complete History of the Ring from Fig and Broughton, 1719-1740, to the Last Championship Battle Between King and Heenan, in December 1863Miles, Henry Downes
History
Pugilistica: The History of British Boxing, Volume 2 (of 3): Containing Lives of the Most Celebrated Pugilists; Full Reports of Their Battles from Contemporary Newspapers, With Authentic Portraits, Personal Anecdotes, and Sketches of the Principal Patrons of the Prize Ring, Forming a Complete History of the Ring from Fig and Broughton, 1719-1740, to the Last Championship Battle Between King and Heenan, in December 1863
Miles, Henry Downes
Boxing
12.—Some blows were exchanged, materially to the advantage of
Painter. His exertions, however, were more than his strength could
support, and he ultimately went down.
13.—Sutton had been so much beaten about the head, that he seemed in
a state of stupor, and “time” might have been vociferated in vain
had not his attendant roused him into action. He was literally
pushed forward to meet his opponent, when Painter kept paying away
till he went down from weakness. Painter planted eight facers
without return.
14 to 17.—In the first three rounds Painter went down; but in the
last, notwithstanding his bad state of vision, he milled the Black
so successfully that Sutton measured his length on the grass. (Loud
shouting, and “Painter will yet win,” was frequently asserted.)
18.—In this distressed state a rally occurred, and Painter was
floored.
19.—This was a most singular round: it was anybody’s battle. Both
the men were dead beat. The Black turned away from Painter on his
making a hit; and soon afterwards Painter turned from him, and went
down. (Two to one on Sutton.)
20.—Painter not only made some good hits, but, in closing, he fibbed
Sutton sharply, and dropped him.
21 to 23.—Painter was down in all these rounds, although he had the
best of the hitting. He was distressed beyond description.
24.—Painter seemed to have revived a little, and made a desperate
hit on the nose of Sutton that floored him upon his back, and his
legs rebounded from the earth. It appeared a finisher, and he was
got upon the knee of his second with considerable difficulty. (The
odds now changed again in favour of Painter.)
25 to 31.—It was astonishing to witness the desperation with which
many of these rounds were contested. Painter showed most science,
but the Black’s strength was more than could be reduced, and the
former was down almost every time from sheer exhaustion.
32 to 40 and last.—Painter was almost blind and destitute of
strength, yet he contended up to the last moment for victory. He was
so far gone, in some instances, that he almost tried to lie down;
and it was owing to his extreme weakness that Sutton was enabled to
recover his strength, and brought him the smiles of victory. It was
strength alone that won it. It is due to Sutton to state that a
fairer fighter never entered the ring; but it is more pleasure to
assert that no prejudice was expressed as to his colour—impartiality
was the order of the day. Painter was led out of the ring, while
Sutton walked from the scene of action without his clothes. The
battle lasted forty-eight minutes and a half. A liberal subscription
was gathered for Painter by Mr. Jackson on the ground. He returned
to Belcher’s in the evening, where the most considerate attention
was paid to him. He experienced no body blows of consequence, but
his head and arms were terribly beaten.
Public-domain text, read in full here on John Shaqi.
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