“The horse is a noble animal,” as a gentleman once wittily observed, when he found himself, for the first time in his life, in a position to make love; and we beg leave to repeat the remark—“the horse is a noble animal,” whether we consider him in his usefulness or in his beauty; whether caparisoned in the chamfrein and demi-peake of the chivalry of olden times, or scarcely fettered and surmounted by the snaffle and hog- skin of the present; whether he excites our envy when bounding over the sandy deserts of Arabia, or awakens our sympathies when drawing sand from Hampstead and the parts adjacent; whether we see him as romance pictures him, foaming in the lists, or bearing, “through flood and field,” the brave, the beautiful, and the benighted; or, as we know him in reality, the companion of our pleasures, the slave of our necessities, the dislocator of our necks, or one of the performers at our funeral; whether—but we are not drawing a “bill in Chancery.” With such impressions in favour of the horse, we have ever felt a deep anxiety about those to whom his conduct and comfort are confided. The breeder—we envy. The breaker—we pity. The owner—we esteem. The groom—we respect. AND The ostler—we pay. Do not suppose that we wish to cast a slur upon the latter personage, but it is too much to require that he who keeps a caravansera should look upon every wayfarer as a brother. It is thus with the ostler: his feelings are never allowed to twine “Around one object, till he feels his heart Of its sweet being form a deathless part.” No—to rub them down, give them a quartern and three pen’orth, and not too much water, are all that he has to connect him with the offspring of Childers, Eclipse, or Pot-8-o’s; ergo, we pay him.