Ah! the last carpet-bag is in; the bell rings, the bad language
partially ceases, the mooring ropes are cast off, and the fussy old
animal is allowed to have her own way. The philosophic tourist finds his
companions of the train. The tutor is curled up under the table in the
cabin, which is full of sleepers, lying about in every direction like
great flies who have over-eaten themselves. The distinguished foreigners
have already become pale even at the tranquil heaving of the harbour
tide. The hook-and-eye man and the boy are smoking infamous cheroots,
drinking neat cognac, and making pointless jokes in a loud voice to the
steward. We are outside the pier. Your correspondent has no emotions. He
sees the cliffs of Albion diminish without a sigh--a regret. He does not
feel the poetry of the situation. He omits to quote _Childe Harold_ to a
gentleman's servant who kindly helps him on with a third great-coat. He
is perhaps brutal; yet he is not without some remains of human
sentiment. The greatest pleasure man can enjoy is to contemplate the
misfortunes of others. Accordingly, he visits the sick. The cabin has
become a hospital--a Pandemonium. To stay there is impossible, he
returns to the deck. Alas! the furry exiles are paying a bitter tribute
to the ocean. The happier ancients could propitiate NEPTUNE with a
horse. Now-a-days he has a fancy for human sacrifices, and will only lie
appeased by a portion of ourselves. HOOKS-AND-EYES has lost his
disposition to joke, regrets the brandy, curses the cheroot, and sits
down in gloomy silence. The youngster is jollier than ever, and chaffs
his discomfited friend, whom he pronounces in private an awful snob.
Public-domain text, read in full here on John Shaqi.
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