A poor applewoman is not allowed to loiter on the pavement. The
lithographic artist, who draws the reddest salmon and setting suns on
the flagstones, is instantly told by the policeman to "walk his chalks."
The broken-down tradesman, with his white neckcloth, and black gloves
with the fingers peeping out of the tips, is not allowed to lean against
a door-post, and offer, in a melancholy attitude, his lucifer-matches
for sale. The same rigour is exercised towards the hundred-bladed Jew
boy, the barefooted girl with her bunch of violets, and the grinning
Italian with his organ. Not one of them is allowed to monopolise the
pavement, but is immediately commanded by the ferocious policeman to
"move on." But there is a class of persons who are permitted to remain
still, where a child who is crying her apples "three a penny" is not
allowed even to loiter. This class of persons is not the most reputable
class to come in contact with, nor the pleasantest even to look at. It
is the betting class. Pass a betting-shop when you will, you are sure to
find an immense crowd collected outside it.
There is no knowing what they talk about--and we have not the slightest
wish to increase our knowledge--but there they will stand for hours,
running in and out of the shop, in the most feverish state, exchanging
memoranda in half-whispers, and dotting down incomprehensible figures in
little clasp-books, which they hold up close to their breasts, for fear
any one should see what they are inscribing in them. They seem
dreadfully afraid lest any one should peep over their shoulders, and
discover the wonderful "odds" they are pencilling down. We have no
particular love or partiality for this numerous class of HER MAJESTY'S
subjects. We do not like them, with their slangy stable coats, their
sporting hats knowingly cocked on one side, and their suspicious looks
that seem to say of every one on whom their sharp, calculating glances
fall, "Well, I wonder how green you are, and I wonder what harvest I
shall get out of your greenness." We do not like this betting _genus_,
with its whips and switchy canes, and thick-ruled trowsers, into which a
small five-barred gate seems to have been compressed, and its sensual
thick-lipped mouths, that are invariably playing with a flower or a
piece of straw, or caressing the end of a pencil.
Public-domain text, read in full here on John Shaqi.
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