Purgatory: Doctrinal, Historical, and PoeticalSadlier, J., Mrs.
Religion
Purgatory: Doctrinal, Historical, and Poetical
Sadlier, J., Mrs.
Purgatory
The Duke of Argyle, in his work on Iona, seems astonished to find that
St. Columba believed in all the principal truths of Catholic faith,
amongst others, prayers for the dead, and yet he considers that he
could not be called a Catholic. The process of reasoning is a curious
one.
Mention is made in the history of Scotland of a famous bell, preserved
at Glasgow until the Reformation. It was supposed to have been brought
from Rome by St. Kentigern, and was popularly called "St. Mungo's
Bell." It was tolled through the city to invite the citizens to pray
for the repose of departed souls.
In the great cathedrals of Scotland, before the Reformation, private
chapels and altars were endowed for the relief of the dead, while in
the cities and large towns, each trade or corporation had an altar in
the principal churches and supported a chaplain to offer up Masses and
prayers as well for the dead as for the living. The following incident
is related in the life of the lovely and so sadly maligned Mary Queen
of Scots. In the early days of her reign, when still struggling with
the intolerant fury of Knox and his followers,--it was in the December
of 1561--Mary desired to have solemn Mass offered up for the repose of
the soul of her deceased husband, the youthful Francis. This so aroused
the fury of the fanatics about her, that they threatened to take the
life of the priests who had officiated. "Immediately after the Requiem
was over, she caused a proclamation to be made by a Herald at the
Market Cross, that no man on pain of his life should do any injury, or
give offense or trouble to her chaplains."
The poet Campbell in his dirge for Wallace, makes the Lady of
Elderslie, the hero's wife, cry out in the first intensity of her
sorrow;
"Now sing you the death-song and loudly pray
For the soul of my knight 'so dear.'"
We shall now leave the wild poetic region of Scotland, and with it
conclude Part First, taking up again in Part Second the thread of our
narrative, which will wind in and out through various countries of
Europe, ending at last with a glance at our own America.
REMEMBRANCE OF THE DEAD THROUGHOUT EUROPE.
PART II.
Public-domain text, read in full here on John Shaqi.
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