'Have pity on me, have pity on me, at least you my friends!'" Job xix. 21. PURGATORY. CHATEAUBRIAND. That the doctrine of Purgatory opens to the Christian poet a source of the marvellous which was unknown to antiquity will be readily admitted. [1] Nothing, perhaps, is more favorable to the inspiration of the muse than this middle state of expiation between the region of bliss and that of pain, suggesting the idea of a confused mixture of happiness and of suffering. The graduation of the punishments inflicted on those souls that are more or less happy, more or less brilliant, according to their degree of proximity to an eternity of joy or of woe, affords an impressive subject for poetic description. In this respect, it surpasses the subjects of heaven and hell, because it possesses a future which they do not. [Footnote 1: Some trace of this dogma is to be found in Plato and in the doctrine of Zeno. (See Diog. Laer.) The poets also appear to have had some idea of it (Æneid, v. vi), but these notions are all vague and inconsequent.] The river Lethe was a graceful appendage of the ancient Elysium; but it cannot be said that the shades which came to life again on its banks exhibited the same poetical progress in the way to happiness that we behold in the souls of Purgatory. When they left the abodes of bliss to reappear among men, they passed from a perfect to an imperfect state. They re-entered the ring for the fight. They were born again to undergo a second death. In short, they came forth to see what they had already seen before. Whatever can be measured by the human mind is necessarily circumscribed. We may admit, indeed, that there was something striking and true in the circle by which the ancients symbolized eternity; but it seems to us that it fetters the imagination by confining it always within a dreaded enclosure. The straight line extended _ad infinitum_ would, perhaps, be more expressive, because it would carry our thoughts into a world of undefined realities, and would bring together three things which appear to exclude each other--hope, mobility, eternity. The apportionment of the punishment to the sin is another source of invention which is found in the purgatorial state, and is highly favorable to the sentimental.... If violent winds, raging fires, and icy cold, lend their influence to the torments of hell, why may not milder sufferings be derived from the song of the nightingale, from the fragrance of flowers, from the murmur of the brook, or from the moral affections themselves? Homer and Ossian tell us of the joy of grief _aruerou tetarpo mesthagolo_.