In connection with the extracts which we have given from the celebrated Drama of Calderon, the "Purgatory of St. Patrick," and in particular of that one which relates to the passage of Ludovico over the bridge which leads from Purgatory to Paradise, it will be interesting to quote the following from Sir Walter Scott's "Minstrelsy of the Scottish Border:" "There is a sort of charm, sung by the lower ranks of Roman Catholics, in some parts of the north of England, while watching a dead body previous to interment. The tone is doleful and monotonous, and, joined to the mysterious import of the words, has a solemn effect. The word sleet, in the chorus, seems to be corrupted from selt or salt; a quantity of which, in compliance with a popular superstition, is frequently placed on the breast of a corpse. The mythologic ideas of the dirge are common to various creeds. The Mahometan believes that, in advancing to the final judgment seat, he must traverse a bar of red-hot iron, stretched across a bottomless gulf. The good works of each true believer, assuming a substantial form, will then interpose between his feet and this 'Bridge of Dread;' but the wicked, having no such protection, fall headlong into the abyss." Passages similar to this dirge are also to be found in "Lady Culross' Dream," as quoted in the second Dissertation, prefixed by Mr. Pinkerton to his select Scottish Ballads, 2 vols. The dreamer journeys towards heaven, accompanied and assisted by a celestial guide: "Through dreadful dens, which made my heart aghast, He bore me up when I began to tire. Sometimes we clamb o'er craggy mountains high, And sometimes stay'd on ugly braes of sand. "They were so stay that wonder was to see; But when I fear'd, he held me by the hand. Through great deserts we wandered on our way-- Forward we passed a narrow bridge of trie, O'er waters great, which hideously did roar." Again, she supposes herself suspended over an infernal gulf: "Ere I was ware, one gripped me at the last, And held me high above a flaming fire. The fire was great, the heat did pierce me sore; My faith grew-weak; my grip was very small. I trembled fast; my faith grew more and more." A horrible picture of the same kind, dictated probably by the author's unhappy state of mind, is to be found in Brooke's "Fool of Quality." The Russian funeral service, without any allegorical imagery, expresses the sentiment of the dirge in language alike simple and noble: "Hast thou pitied the afflicted, O man? In death shalt thou be pitied. Hast thou consoled the orphan? The orphan will deliver thee. Hast thou clothed the naked? The naked will procure thee protection."-- _Richardson's "Anecdotes of Russia."_