Pushed and the Return PushNichols, George Herbert Fosdike
History
Pushed and the Return Push
Nichols, George Herbert Fosdike
World War, 1914-1918 -- Personal narratives, English
rather sardonically--"they are so intensely ugly." A tiny piano tinkled
at a corner house near the roofless church and the Grande Place. In
two-foot letters on the walls in the square were painted, "Hommes" on
some houses, "Femmes" on others: reminders of the Boche method of
segregating the sexes before he evacuated the inhabitants he wanted to
evacuate. Only five civilians remained in the village now--three old
men and two feeble decrepit women, numbed and heart-sick with the war,
but obstinate in clinging to their homesteads. Already some of our men
were patching leaky, shrapnel-flicked roofs with biscuit-tins and
strong strips of waterproof sheeting.
We passed through A Battery's garden at nine o'clock. "We won't disturb
them," said the colonel. "Bullivant is a morning sleeper, and is
certain not to be up after the night-firing." Round the corner,
however, stood a new officer who looked smart and fresh, with brightly
polished buttons and Sam Browne belt. He saluted in the nervously
precise fashion of the newly-joined officer. The colonel answered the
salute, but did not speak; and he and I worked our way--following the
track of a Tank--through and between hedges and among fruit-trees that
had not yet finished their season's output. We passed the huddled-up
body of a shot British soldier lying behind a fallen tree-trunk. We
were making for the quarry in which C and D Batteries were neighbours.
On a ditch-bordered road we met ten refugees, sent back that morning
from a hamlet a mile and a half away, not yet considered safe from the
Boche. The men, seeing us, removed their hats and lowered them as far
as the knee--the way in which the Boche had commanded them to proffer
respect. One aged woman in a short blue skirt wore sabots, and British
puttees in place of stockings.
Public-domain text, read in full here on John Shaqi.
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