Then Grace came out, and stood looking on, while he forged knives, like magic, before the eyes of his astonished guests. Her feet were now as warm as a toast, and her healthy young body could resist all the rest. She stood, with her back to the nearest pew, and her hands against the pew too, and looked with amazement, and dreamy complacency, at the strange scene before her: a scene well worthy of Salvator Rosa; though, in fact, that painter never had the luck to hit on so variegated a subject. Three broad bands of light shot from the fires, expanding in size, but weakening in intensity. These lights, and the candles at the west end, revealed in a strange combination the middle ages, the nineteenth century, and eternal nature. Nature first. Snow gleaming on the windows. Oh, it was cozy to see it gleam and sparkle, and to think “Aha! you all but killed me; now King Fire warms both thee and me.” Snow-flakes, of enormous size, softly descending, and each appearing a diamond brooch, as it passed through the channels of fiery light. The middle ages. Massive old arches, chipped, and stained; a moldering altar-piece, dog's-eared (Henry had nailed it up again all but the top corner, and in it still faintly gleamed the Virgin's golden crown). Pulpit, richly carved, but moldering: gaunt walls, streaked and stained by time. At the west end, one saint--the last of many--lit by two candles, and glowing ruby red across the intervening gulf of blackness: on the nearest wall an inscription, that still told, in rusty letters, how Giles de la Beche had charged his lands with six merks a year forever, to buy bread and white watered herrings, the same to be brought into Cairnhope Church every Sunday in Lent, and given to two poor men and four women; and the same on Good Friday with a penny dole, and, on that day, the clerk to toll the bell at three of the clock after noon, and read the lamentation of a sinner, and receive one groat. Ancient monuments, sculptures with here an arm gone, and here a head, that yet looked half-alive in the weird and partial light. And between one of those mediaeval sculptures, and that moldering picture of the Virgin, stood a living horse, munching his corn; and in the foreground was a portable forge, a mausoleum turned into fires and hot plate, and a young man, type of his century, forging table-knives amidst the wrecks of another age.