English fiction -- 19th century; Labor unions -- Fiction
He went on to the wet-grinders, and he found their trade much healthier
than dry-grinding: yet there were drawbacks. They suffered from the grit
whenever a new stone was hung and raced. They were also subject to
a canker of the hands, and to colds, coughs, and inflammations, from
perspiration checked by cold draughts and drenched floors. These floors
were often of mud, and so the wet stagnated and chilled their feet,
while their bodies were very hot. Excellent recipe for filling graves.
Here Bayne retired to his books, and Henry proceeded to the
saw-grinders, and entered their rooms with no little interest, for they
were an envied trade. They had been for many years governed by Grotait,
than whom no man in England saw clearer; though such men as Amboyne
saw further. Grotait, by a system of Machiavellian policy, ingeniously
devised and carried out, nobly, basely, craftily, forcibly,
benevolently, ruthlessly, whichever way best suited the particular
occasion, had built a model Union; and still, with unremitting zeal and
vigilance, contrived to keep numbers down and prices up--which is the
great Union problem.
The work was hard, but it was done in a position favorable to the lungs,
and the men were healthy, brawny fellows; one or two were of remarkable
stature.
Up to this moment Silly Billy had fully justified that title. He had
stuck to Henry's side like a dog, but with no more interest in the
inquiry than a calf, indeed, his wandering eye and vacant face had
indicated that his scanty wits were wool-gathering miles from the place
that contained his body.
But, as soon as he entered the saw-grinders' room, his features lighted
up, and his eye kindled. He now took up a commanding position in the
center, and appeared to be listening keenly. And he had not listened
many seconds before he cried out, “There's the bad music! there! there!”
And he pointed to a grindstone that was turning and doing its work
exactly like the others. “Oh, the bad music!” cried Billy. “It is out of
tune. It says, 'Murder! murder! Out of tune!'”
Henry thought it his duty to inspect the grindstone so vigorously
denounced, and, naturally enough, went in front of the grinder. But
Billy pulled him violently to the side. “You musn't stand there,” said
he. “That is the way they fly when they break, and kill the poor father,
and then the mother lets down her hair, and the boy goes crazed.”
By this time the men were attracted by the Anomaly's gestures and
exclamations, and several left their work, and came round him. “What is
amiss, Billy? a flawed stone, eh? which is it?”
“Here! here!” said the boy. “This is the wheel of death. Kill it, break
it, smash it, before it kills another father.”
Henry spoke to the grinder, and asked him if there was anything amiss
with the stone.
The man seemed singularly uneasy at being spoken to: however he made
answer sullenly that he had seen better ones, and worse ones, and all.
Public-domain text, read in full here on John Shaqi.
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