Pyrotechnics: The History and Art of Firework MakingBrock, Alan St. H. (Alan St. Hill)
History
Pyrotechnics: The History and Art of Firework Making
Brock, Alan St. H. (Alan St. Hill)
Fireworks
The lifting charge projects the shell into the air and the time fuse,
which is arranged to burn through at the top of the shell’s flight,
ignites the bursting charge which opens the shell and fires the
contents.
The modern varieties of shell are almost infinite. Colours have been
brought to a wonderful pitch of depth and brilliance, besides various
kinds of fire for stars, producing stars with tails of the same and
contrasting colours.
Another class of shell, which might be called the compound, consists of
shell filled with fireworks of other kinds—Roman candles, tourbillions,
wheel-turning cases, small shell, and what gives undoubtedly the most
dramatic aerial effect yet devised, with rockets. The “thunderbolt,” a
shell 16 inches in diameter, containing a hundred 4-ounce rockets, has
always been a popular feature of the Crystal Palace displays.
Another variation of the shell is the comet, which is in effect a small
shell (generally about three inches) with an exaggerated fuse of
brilliant fire, which leaves a heavy tail during the comet’s flight.
These are usually fired from either side of the firing-ground in rapid
succession, producing an aerial arch, and opening just after having
passed each other.
The aerial maroon consists of a maroon fitted with a lifting charge and
time fuse.
CHAPTER III
SIMPLE FIREWORKS—MINE CLASS
The next group of fireworks is what may be called the “Mine” class, and
has some of its members amongst the earliest firework units.
To-day a mine consists of a quantity of small effects such as stars,
crackers, squibs, etc., blown simultaneously from a case, or in display
work—from a mortar. In the latter event they are made up into bags with
the lifting charge below, and are known technically as “bags.”
The “Mine of Serpents” and “Jack-in-the-Box” as sold in the shops
consist of a rolled paper case which acts as the mortar, at the bottom
of which is a lifting charge. This case has a light strawboard cover
with a central hole, through which passes a case charged with a golden
fountain composition, the lower end of which is not—as is generally
the case—“clayed.” The space round the central case is filled in with
squibs or crackers. When lighted the fountain case functions in the
usual way, but when finished ignites the lifting charge, which lights
and blows up the contained fireworks.
Public-domain text, read in full here on John Shaqi.
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