Pyrotechnics: The History and Art of Firework MakingBrock, Alan St. H. (Alan St. Hill)
History
Pyrotechnics: The History and Art of Firework Making
Brock, Alan St. H. (Alan St. Hill)
Fireworks
The date of the introduction of these metals marks almost as great
advances in the art as did the introduction of chlorate of potash. Not
only are they used as spark-producing metals in the same way as are
steel and iron, but they are also used as “burnables,” that is, they
are consumed inside the case; and many of the present-day firework
compositions owe their brilliance to one or other of these metals.
It is, however, in colour compositions that the tendency towards
simplification is most strongly exhibited. In Kentish’s book colour
compositions containing as many as seven or eight ingredients are
common, whereas to-day formulæ containing over four are the exception
rather than the rule.
[Illustration: Roman Candles. This untouched photograph illustrates
the extraordinary brilliance of aluminium compositions. Each
“plume” (200 ft. high) is produced by a single star about ¾ in.
diameter and ¾ in. long. Each line is a microscopic particle of
aluminium.]
The reason for this complexity is not easy to follow, but it may have
been in some measure due to the difficulty of obtaining sufficiently
finely ground chemicals before the days of machine grinding; in some
cases it was found that by melting two of the ingredients together
and allowing the mass to cool they could be ground with greater ease.
Chertier went so far as to melt shellac and salt together, grind them
and remove the salt by dissolving in water. Also by adding a finely
ground chemical of similar action to one only coarsely ground a better
result was obtained.
Whatever may have been the reason, there can be no doubt that, except
for secondary shades, the fewer the chemicals used the more brilliant
will be the resulting fire.
CHAPTER IX
MILITARY PYROTECHNY
The use of pyrotechnic mixtures for military purposes is the basis of
artillery, and one might almost say the foundation of chemistry. Before
the age of the alchemist men were at work endeavouring to produce some
weapon which would give them an advantage over their enemies. Of the
natural phenomena none made so strong an appeal as fire, which from
earliest times had been a mysterious and therefore terrible element.
The early use of fire or pyrotechnic mixtures gave the users so decided
an advantage over their enemies that their use was chronicled by
historians of the day either on the side of the victors as a pæan of
praise for their invincible weapon, or as an excuse for defeat on the
side of the vanquished.
Such reports are necessarily vague and exaggerated, vague because
the writer had no technical knowledge of the subject, and the users
naturally wished for secrecy and exaggerated because exaggeration
increased the value of the weapon.
Public-domain text, read in full here on John Shaqi.
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