Pyrotechnics: The History and Art of Firework MakingBrock, Alan St. H. (Alan St. Hill)
History
Pyrotechnics: The History and Art of Firework Making
Brock, Alan St. H. (Alan St. Hill)
Fireworks
Secondly, “Its composition was such as could be kept secret at
Constantinople.” If, as Col. Hime says, saltpetre as such was unknown
at the time, it was only as a separate kind of salt. It was undoubtedly
known, but not distinguished from sea salt or nitrate of soda. Would
not this fact render the concealment of the ingredients used more easy?
Thirdly, “It burned with much noise and smoke.” Allowing for some
slight exaggeration the first condition is fulfilled, as undoubtedly is
the latter.
Fourthly, “It was necessarily connected in some way with syphons.” As
Col. Hime points out, there is ambiguity between the word syphon and
tube, and if the latter word meets the facts it seems the more likely
rendering.
The writer saw this effect produced during experiments with
smoke-producing compositions, and it is probable that the mixture in
question was not in the most effective proportions, but so striking was
the result that there is little doubt that experiments on such lines
would produce a terrible and effective weapon under the conditions of
warfare then in existence.
The “Dictionnaire Mobilier Français” gives a diagram of a weapon of a
somewhat similar nature stated to have been used by the Arabs in the
fifteenth century. The illustration shows what is virtually a Roman
candle, and appears plausible until one considers the facts. What is
most probable is that the weapon, which was of an incendiary nature,
was similar to that described above, which fulfils the requirements of
the description without assuming a knowledge of compositions which at
the time did not exist.
From the period of Greek fire onward military and recreative pyrotechny
appear to have marched side by side.
As we have seen, the progress in the latter branch was extremely slow,
so with the former, and it was not until the introduction of modern or
comparatively modern methods that real progress commenced.
With the progress came divergence, the introduction of the rifled bore
in artillery, and of nitro compounds and high explosives whose dynamic
force exceeds many times that of gunpowder, which however useful they
might be to the artillerist, were of little value to the recreative
pyrotechnist. It was not until the great war that the resources of
pyrotechny were fully realised and utilised by the military. It is
curious to note that just as the tactics and methods of warfare
eventually adopted—although on an unprecedentedly large scale—were
in a great measure those of centuries before, so military pyrotechny
returned to ideas just as antiquated. With the advantages of modern
science, and by the assistance of knowledge gained in the development
of recreative pyrotechny, the progress made in a month or so in
military pyrotechny during the war may, without exaggerating, be said
to have exceeded that of previous centuries.
Public-domain text, read in full here on John Shaqi.
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