“There's no one to introduce us,”--he broke the pause. “Mayn't I--” He
colored and put his hand into his pocket, and taking out her letter,
folded the blank sheet out and produced a pencil. “It's hard to call
one's own name,” he continued. “Suppose we write our names?”
As he was clumsy in finesse, she understood his idea, and her eyes
flashed. But she said nothing as he scribbled and handed the paper to
her. She read, “C.K. Farringdon,” and played with the pencil.
“Mr. Farringdon,”--she said it over meditatively. “How plainly you
write! My name's Edith Eversley,” she added, tranquilly, and, because
she must, per force, returned the sheet to him. She had a wicked delight
in the defeat of his strategy which she could cleverly conceal.
“I wish,” he deprecated, gently, but with persistence, “that you would
write your name here--won't you, as a souvenir?”
But she shook her head and rose--angry, which she hid, but also amused
at his pertinacity.
“I can't write decently with a pencil,” she said, carelessly, and her
eyes followed his hand putting the letter back into his pocket. That she
should have actually had the letter in her hand, and had to give it
back! But no quick-witted pretext had occurred to help her. Rose would
think her stupid--utterly lacking in expedients.
She left the summer-house, unfurling her umbrella, and Farringdon
followed instantly, his failure apparently forgotten.
They passed the tennis-court on their way to the house, and--
“Do you play?” he asked.
“A little.” Her intonation mocked the formula.
“Might we, then, this afternoon--”
She gave him a side glance. “If you don't mind losing,” she suggested.
“But I play to win,” he modestly met it, and again they laughed.
Rose Eversley looked with curiosity at her sister when she entered the
dining-room for luncheon, followed by Farringdon, but Edith's face was
non-committal. She was bright and vivacious, and made herself very
pleasant to Farringdon, who sat by her. After luncheon they went to the
tennis-court together.
“A delightful young man,” Mrs. St. Cleve commented, putting up her
lorgnette as she stood at the window with Rose, watching their
disappearing figures, “but so far as money is concerned, a hopeless
detrimental. Don't let your pretty sister get interested in him. He
hasn't a cent except what he makes--he's an architect.”
“Edith is to be depended upon,” Rose said, enigmatically. She was five
years older than her sister, and had drawn the inference of her own
plainness, comparatively, ever since Edith had put on long dresses.
“Have you written to Christopher?” she asked, that night, invading
Edith's room with her hair-brushes.
“No, I haven't,” Edith said, thoughtfully. “I tried just now. It
seems--I don't know how, exactly, but I just _can't_ write it over
again! If I had the letter I wrote this morning, I suppose I would send
it; but to write it all over again--it's too horrible!”
Public-domain text, read in full here on John Shaqi.
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