“It's quite at the other end of the street,” Farringdon said, opening
his umbrella and tentatively discouraging the effort. “By the way, your
letter won't leave, I remember, until the seven-o'clock train. The
Brathwaites are leaving by that train; you can send your letter down
then.”
She found herself accepting this proposition, for the blaze of the sun
on the length of the dusty street was deterring. They walked back almost
in silence the way they had come; but with his hand on Mrs. Manstey's
gate and the house less than two hundred yards away, Farringdon paused.
“You have been writing to 'Christopher,'” he said, quietly. “I don't
want you to send the letter.” He was quite pale, but she did not notice
it or the tensity of his face; his audacity made her for the moment
dumb.
“You don't want me to--!” She positively gasped. “I never heard of
such--”
“Impertinence,” he supplied, gravely. “It looks that way, I know, but it
isn't. I can't stand on conventions--I've too much at stake. I don't
mean to lose _you_--as you lost your letter!”
She thought she was furious. “You knew it was my letter!” she accused.
They had paused just within the gate, in the shade of a great
mulberry-tree that stood sentinel.
“Forgive me,” he said. “Not at first--but I guessed it. My name,” he
added, “is Christopher, too.”
He took a crumpled sheet, that had been smoothed and folded carefully,
from his pocket. “Do you remember what you wrote?” he asked, in a low
voice.
Her face was crimson.
“It blew to me. Such things don't happen every day.” He had taken off
his hat, and, bareheaded, he bent and looked questioningly into her
eyes. “My name is Christopher,” he repeated. “I can't--it isn't
possible--that I can let another Christopher have that letter.”
Her eyes fell before his.
“I”--he paused--“I play tennis very well, you said. I play to win! What
I give to the interest of a game--”
“Is nothing to what you give to the interests of Christopher!”
As she mockingly spoke, Farringdon caught a glimpse of one or two people
strolling down from the house. “That letter,” he hastily said,--“you
can't take it from me! Do you remember that wind? It blew _you_ to _me!_
Dearest, _darling_, don't be angry. You _can't_ take yourself away.”
A little smile touched her lips--mutinous, but tremulous, too, and
something in her look made his heart beat fast.
“I didn't--The last letter wasn't like the first,” she said,
incoherently, but it seemed he understood.
“I knew you were _you_ as soon as I saw you,” he said, idiotically.
“And,” she murmured, as they walked perforce to meet the people coming
toward them down the drive, “after all, you _were_ Christopher!”
THE WRONG DOOR
BY FRANCIS WILLING WHARTON
Public-domain text, read in full here on John Shaqi.
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