Full of happy and loving thoughts, Hildegarde slipped quietly down the stairs and across the hall, and peeped in at the kitchen-door to see what the farmer was doing. He was at the farther end of the room, with his back turned to her, stooping down over his desk. What was he doing? What a singular attitude he was in! Then, all in a moment, Hilda's heart seemed to stop beating, and her breath came thick and short; for she saw that this man before her was not the farmer. The farmer had not long elf-locks of black hair straggling over his coat-collar; he was not round-shouldered or bow-legged; above all, he would not be picking the lock of his own desk, for this was what the man before her was doing. Silent as her own shadow, Hildegarde slipped back into the hall and stood still a moment, collecting her thoughts. What should she do? Call Dame Hartley? The "poor dear" was suffering much, and why should she be disturbed? Run to find the farmer? She might have to run all over the farm! No; she would attend to this herself. She was not in the least afraid. She knew pretty well what ugly face would look up at her when she spoke; for she felt sure that the slouching, ungainly figure was that of Simon Hartley. Her heart burned with indignation against the graceless, thankless churl who could rob the man on whose charity he had been living for two years. She made a step forward, with words of righteous wrath on her lips; then paused, as a new thought struck her. This man was an absolute ruffian; and though she believed him to be an absolute coward also, still he must know that she and Dame Hartley were alone in the house. He must know also that the farmer was at some distance, else he would not have ventured to do this. What should she do? she asked herself again. She looked round her, and her eyes fell upon the old horse-pistol which rested on a couple of hooks over the door. The farmer had taken it down only a day or two before, to show it to her and tell her its story. It was not loaded, but Simon did not know that. She stepped lightly up on a chair, and in a moment had taken the pistol down. It was a formidable-looking weapon, and Hildegarde surveyed it with much satisfaction as she turned once more to enter the kitchen. Unloaded as it was, it gave her a feeling of entire confidence; and her voice was quiet and steady as she said: "Simon Hartley, what are you doing to your uncle's desk?" The man started violently and turned round, his hands full of papers, which he had taken from one of the drawers. He changed color when he saw "the city gal," as he invariably termed Hilda, and he answered sullenly, "Gitt'n someth'n for Uncle." "That is not true," said Hildegarde, quietly, "I have heard your uncle expressly forbid you to go near that desk. Put those papers back!" The man hesitated, his little, ferret eyes shifting uneasily from her to the desk and back again. "I guess I ain't goin' to take orders from no gal!" he muttered, huskily.