Queen Hortense: A Life Picture of the Napoleonic EraMühlbach, L. (Luise)
History
Queen Hortense: A Life Picture of the Napoleonic Era
Mühlbach, L. (Luise)
Hortense, Queen, consort of Louis Bonaparte, King of Holland, 1783-1837 -- Fiction
The gentlemen who, before the revolution, had been entitled to seats in
the royal equipages, still retained this privilege, but the doors of
these equipages were never opened to the gentlemen of the new Napoleonic
nobility. "The ladies of the old era still retained their _tabouret,_ as
well as their grand and little _entrée_ to the Tuileries and the Louvre,
and it would have been considered very arrogant if the duchesses of the
new era had made claim to similar honors."
It was the Duchess d'Angoulême who took the lead and set the Faubourg
St. Germain an example of intolerance and arrogant pretensions in
ignoring the empire. She was the most unrelenting enemy of the new era,
born of the revolution, and of its representatives; it is true, however,
that she, who was the daughter of the beheaded royal pair, and who had
herself so long languished in the Temple, had been familiar with the
horrors of the revolution in their saddest and most painful features.
She now determined, as she could no longer punish, to at least forget
this era, and to seem to be entirely oblivious of its existence.
At one of the first dinners given by the king to the allies, the Duchess
d'Angoulême, who sat next to the King of Bavaria, pointed to the
Grand-duke of Baden, and asked: "Is not this the prince who married a
princess of Bonaparte's making? What weakness to ally one's self in
such a manner with that general!"
The duchess did not or would not remember that the King of Bavaria, as
well as the Emperor of Austria, who sat on her other side, and could
well hear her words, had also allied themselves with General Bonaparte.
After she had again installed herself in the rooms she had formerly
occupied in the Tuileries, the duchess asked old Dubois, who had
formerly tuned her piano, and had retained this office under the empire,
and who now showed her the new and elegant instruments provided by
Josephine--she asked him: "What has become of my piano?"
This "piano" had been an old and worn-out concern, and the duchess was
surprised at not finding it, as though almost thirty years had not
passed since she had seen it last; as though the 10th of August, 1792,
the day on which the populace demolished the Tuileries, had never been!
But the period from 1795 to 1814 was ignored on principle, and the
Bourbons seemed really to have quite forgotten that more than one night
lay between the last levee of King Louis XVI. and the levee of to-day of
King Louis XVIII. They seemed astonished that persons they had known as
children had grown up since they last saw them, and insisted on treating
every one as they had done in 1789.
After the Empress Josephine's death, Count d'Artois paid a visit to
Malmaison, a place that had hardly existed before the revolution, and
which owed its creation to Josephine's love and taste for art.
Public-domain text, read in full here on John Shaqi.
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