Queen Hortense: A Life Picture of the Napoleonic EraMühlbach, L. (Luise)
History
Queen Hortense: A Life Picture of the Napoleonic Era
Mühlbach, L. (Luise)
Hortense, Queen, consort of Louis Bonaparte, King of Holland, 1783-1837 -- Fiction
One of the most important features of this etiquette was the question of
the fashions that should now be introduced at court; for it was, of
course, absurd to think of adopting the fashions of the empire, and
thereby recognize at court that there had really been a change
since 1789.
They desired to effect a counter-revolution, not only in politics, but
also in fashions; and this important matter occupied the attention of
the grand dignitaries of the court for weeks before the first grand
levee that the king was to hold in the Tuilerics. But, as nothing was
accomplished by their united wisdom, the king finally held a private
consultation with his most intimate gentleman and lady friends on this
important matter, that had, unfortunately, not been determined by
the charter.
The grand-master of ceremonies, M. de Bregé, declared to the king that
it was altogether improper to continue the fashions of the empire at the
court of the legitimate King of France.
"We are, therefore, to have powder, coats-of-mail, etc.," observed the
king.
M. de Bregé replied, with all gravity, that he had given this subject
his earnest consideration day and night, but that he had not yet arrived
at a conclusion worthy of the grand-master of ceremonies of the
legitimate king.
"Sire," said the Duke de Chartres, smiling, "I, for my part, demand
knee-breeches, shoe-buckles, and the cue."
"But I," exclaimed the Prince de Poir, who had remained in France during
the empire, "I demand damages, if we are to be compelled to return to
the old fashions and clothing before the new ones are worn out!"
The grand-master of ceremonies replied to this jest at his expense with
a profound sigh only; and the king at last put an end to this great
question, by deciding that every one should be permitted to follow the
old or new fashions, according to his individual taste and inclination.
The grand-master of ceremonies was compelled to submit to this royal
decision; but in doing so he observed, with profound sadness: "Your
majesty is pleased to smile, but dress makes half the man; uniformity of
attire confounds the distinctions of rank, and leads directly to an
agrarian law."
"Yes, marquis," exclaimed the king, "you think precisely as Figaro. Many
a man laughs at a judge in a short dress, who trembles before a
procurator in a long gown[39]."
[Footnote 39: Mémoires d'une Femme de Qualité, vol. i., p. 384.]
But while the king suppressed the counter-revolution in fashions, he
allowed the grand-master of ceremonies to reintroduce the entire
etiquette of the old era. In conformity with this etiquette, the king
could not rise from his couch in the morning until the doors had been
opened to all those who had the _grande entrée_--that is to say, to the
officers of his household, the marshals of France, several favored
ladies; further, to his _cafetier_, his tailor, the bearer of his
slippers, his barber, with two assistants, his watchmaker, and his
apothecaries.
Public-domain text, read in full here on John Shaqi.
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