American fiction -- 19th century; Dime novels; Man-woman relationships -- Fiction; Upper class -- Fiction
There were three letters inclosed in one large envelope, on which was
written “Papers pertaining to the Avignon business.” Queenie knew her
father had once owned some houses in Avignon, and taking first the
largest letter in the package, she studied it carefully, noting that the
paper was cheap, the handwriting cramped, and Chateau des Fleurs, to
which it was directed, spelled wrong. “This is not business—it is a
letter which by mistake papa must have put in the wrong place, for it
looks _coarse_, it feels _coarse_, and it smells _coarse_,” Queenie
said, elevating her little nose as she caught a whiff of something very
different from the delicate perfumery pervading the other papers. “Who
sent this to papa, and what is it about?” were the questions which
passed rapidly through her mind, as she held the worn, soiled missive
between her thumb and fingers, and inspected it curiously.
Once something prompted her to put it away from her sight, and never
seek to know its contents. But woman’s curiosity overcame every scruple,
and she at last drew the letter itself from the envelope. It was quite a
large sheet, such as Reinette knew ladies seldom used, and the four
pages were closely written over, while there seemed to be something
inside which added to its bulk.
Turning first to the last page, Queenie glanced at the signature, and
saw the two words “From Tina,” but saw no more, for the something
inside, which, slipping down, dropped upon her hand, around which it
coiled like a living thing, with a grasp of recognition. It was a tress
of long, blue-black hair, with just a tendency to wave perceptible all
through it.
Shaking it off as if it had been a snake, Queenie’s cheek paled a moment
with a sensation she could not define, and then crimsoned with shame and
resentment; resentment for the dead mother, who, she felt, had in some
way been wronged, and shame for the dead father to whom some other woman
had dared to write, and send a lock of hair.
“Who is this _Tina_?” she said, with a hot gleam of anger in her black
eyes, “and how dare she send this to my father—the bold, bad creature! I
hate her, with her vile black hair” and she ground her little high heel
upon the unconscious tress of hair, as if it had been Tina herself upon
whom she was trampling. “I’ll burn it,” she said at last, “but I’ll
never touch it again.”
And reaching for the tongs which stood upon the hearth, she took up the
offending hair and held it in the lamp, watching it with a grim feeling
of satisfaction, and yet with a sense of pain, as it hissed, and
reddened, and charred in the flame, and writhed and twisted as if it had
been something human from which the life was going out.
Through the open window a breath of the sweet summer air came stealing
in, and catching up a bit of the burnt, crisped hair carried it to
Queenie’s white morning wrapper, where it clung tenaciously until she
shook it off as if it had been pollution.
Public-domain text, read in full here on John Shaqi.
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