American fiction -- 19th century; Dime novels; Man-woman relationships -- Fiction; Upper class -- Fiction
There were not many of them, and they had been written at long
intervals, and only in answer to the husband’s, it would seem, for she
complained in one that he waited so long before replying to her. Queenie
felt no compunctions in reading these; they were something which
belonged to her and she went through them rapidly, with burning cheeks,
and eyes so full of tears at times that she could scarcely see the
delicate handwriting, so different from that other, the blue-black
haired Tina’s as she mentally designated her. And as Queenie read, there
came over her a feeling of resentment and anger toward the dead father,
who, she felt sure, had often grieved and neglected the young wife, who,
though she made no complaint, wrote so sadly and dejectedly, and begged
him to come home, and not stay so long in those far-off lands, with
people whom Margaret evidently did not like.
“Dear Frederick,” she wrote from Rome, “please come to me; I am so
lonely without you, and the days are so long, with only Christine for
company, for I seldom go out except to drive on the Pincian or Campagna,
and so see scarcely see any one. Christine is a great comfort to me, and
anticipates my wishes almost before I know that I have them myself. She
is as faithful and tender as if she were my mother, instead of maid, and
if I should die you must always be kind to her for what she has been to
me. But oh, I do so long for you, and I think I could make you very
happy. You used to love me in dear old Merrivale. How often I dream of
home and the shadowy woods by the pond where we used to walk together,
and the moonlight sails on the river when we rowed in among the white
lilies, and you said I was lovelier and sweeter than they. You loved me
then; do you love me now as well? I have sometimes feared you did not;
feared something had come between us which was weaning you from me.
Don’t let it, Frederick; put it away from you, whatever it may be, and
let me be your Queen, your Daisy, your Margery again; for I do love you,
my husband, more than you can guess, and I want your love now when I am
so sick, and tired, and lonely. Christine is waiting to post this for
me, and so I must close with a kiss right there where I make the star
(*.) Put your lips there, Frederick, where mine have been and then we
shall have kissed each other. Truly, lovingly, and longingly, your
tired, sick Margery.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account