Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
"Madame de Bouillon is capricious, violent, head-strong, and much
addicted to gallantry. Her tastes extend from the prince to the
actor.[83] She conceived a fancy for the Comte de Saxe, who had none for
her. Not that he piques himself on his fidelity to the Lecouvreur; for,
together with his passion for her, he has a thousand little passing
tastes. But he was neither flattered nor anxious to reply to the
impulsiveness of Madame de Bouillon, who was enraged at seeing her
charms despised, and who had no doubt that the Lecouvreur was the
obstacle that stood in the way of the passion that the Count would
otherwise naturally entertain for her.[84] To destroy this obstacle, she
resolved to get rid of the actress, and, in order to put this horrible
design into execution, chose a young abbé,[85] with whom she was not
personally acquainted, to be the instrument of her vengeance. He was
approached by two men at the Tuileries, who proposed to him, after a
rather lengthy conversation regarding his poverty, to free himself from
his distress by obtaining admission, under favour of his skill in
painting, into Lecouvreur's house, and persuading her to eat some
lozenges, which would be given him. The poor abbé objected strongly, on
account of the heinousness of the crime; but the two men replied that it
no longer depended upon him to refuse, since he would do so on peril of
his life. The abbé, terrified, promised everything; and was conducted to
Madame de Bouillon, who confirmed the promises and threats, and handed
him the lozenges. The abbé begged that a few days might be allowed him
for the execution of these projects; and Mlle. Lecouvreur received one
day, on returning home with one of her friends and an actress named
Lamothe, an anonymous letter, in which she was implored to come
immediately, either alone or with some one on whom she could depend, to
the garden of the Luxembourg, where, at the fifth tree in one of the
main avenues, she would find a man who had something of the last
importance to communicate to her. As it was then precisely the hour
appointed for the rendezvous, she re-entered her coach and set out
thither, accompanied by the two persons who were with her. She found the
abbé, who accosted her and related to her the odious commission with
which he had been entrusted, declaring that he was incapable of
committing such a crime; but that he was at a loss what to do, inasmuch
as he was sure to be assassinated.
Public-domain text, read in full here on John Shaqi.
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