Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
It happened that some little time before the suppression of the
Opéra-Comique, Favart had met at the house of one of those leaders of
the fashionable world whose whim it was to patronise actors and men of
letters, Maurice de Saxe, now become the greatest soldier of his age,
_Maréchal de France_, and "general-in-chief of all the armies of the
King." Maurice, who was as enthusiastic a patron of the drama as he had
been in the days of poor Adrienne Lecouvreur, was followed in his
campaigns by a troupe of actors, which gave performances wherever the
army happened to be quartered, sometimes in a regular theatre, sometimes
in an improvised one; and he now suggested to Favart that he should
organise a second troupe and accompany him to Flanders for the campaign
which was about to open.
The offer seemed like a fortune to poor Favart, in the state of poverty
and uncertainty to which he was then reduced; nevertheless, he hesitated
to accept it, pointing out that the formation of a second company might
be regarded by the troupe already in existence as an encroachment on its
privileges, and that its leader--one Parmentier, an arrogant and
unscrupulous person, with whom Favart was by no means anxious to enter
into competition--would be sure to throw obstacles in his way. The
Marshal, however, solved the difficulty by promising to transfer the
Parmentier troupe to the division of the army commanded by Maréchal
Löwendal, and attach Favart's company to his own person; and, under
these conditions, the poet gratefully accepted his offer.
Here are the terms in which the Marshal announced his appointment to
Favart, and, at the same time, informed him of what was expected of
him:--
"The favourable report that has been made to me about you, Monsieur,
has induced me to choose you, in preference to all others, in order to
give you the exclusive management of my comedy company. I am persuaded
that you will use every endeavour to ensure its success; but do not
imagine that I look upon it merely as an object of amusement; it enters
into my political views and into the plan of my military operations. I
will advise you what you will have to do in this respect when occasion
arises, and, in the meanwhile, I count upon your discretion and
punctuality. You are from this moment at liberty to make all your
arrangements for opening your theatre at Brussels, in the month of April
next."
As there was but little time at his disposal, Favart started at once for
Brussels, where he obtained a lease of the Grand Theatre in the Rue de
la Monnaie. Then he returned to Paris, and, having selected his company,
which comprised all the best artistes of the deceased Opéra-Comique, he
and Justine set out for Flanders.
Public-domain text, read in full here on John Shaqi.
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