Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
Although not yet thirteen, she appears to have acquitted herself with
credit, while the progress she made in her profession was remarkable.
"My industry, my enthusiasm, my memory," says the actress, "confounded
my instructors. I retained everything, I devoured everything."
Nevertheless, whether on account of her youth, her diminutive
stature--she was very short, even for her age--or, more probably,
because her precocious talents had excited the apprehensions of the
famous Arlequin, Thomassin, who had daughters of his own to bring
forward, she did not remain long at the Comédie-Italienne, and, at the
end of a year, found herself obliged to seek her fortune in the
provinces.
It was to Rouen that she went--Rouen, the nursery of the Paris
theatres--Rouen, which had witnessed the first efforts of Marie de
Champmeslé, whose triumphs in tragedy this young girl was one day to
eclipse. The principal theatre there was at this time under the
joint-management of La Noue, author of _La Coquette corrigée_, and Mlle.
Gautier, both, in after years, prominent members of the
Comédie-Française; and Mlle. Clairon was engaged to dance in the ballet,
sing in comic opera, and act in a few parts suited to her age, at a
salary of 100 pistoles, or about 1000 livres. As some compensation for
this meagre remuneration, Marie Scanapiecq, who had accompanied her
daughter, and whose views with regard to the morality of dramatic
performances had undergone a most surprising alteration since she had
discovered that there was money to be made, was installed superintendent
of the box-office.
At Rouen, little Clairon soon became a general favourite, and improved
so rapidly in her acting that, by the time she was sixteen, she was
pronounced to be the most charming _soubrette_ the Norman capital had
ever possessed. The Rouen ladies were very far from sharing the
prejudices of most provincial dames, who believed themselves degraded if
they so much as spoke to an actress, and the girl was invited
everywhere. A certain Madame de Bimorel, wife of a president of the
Parliament of Normandy, and an old flame of the poet Fontenelle, was
particularly kind, and remained her firm friend for more than forty
years.
Public-domain text, read in full here on John Shaqi.
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