Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
The pride of Mlle. Clairon, in those days, knew no bounds. "Madame de
Pompadour," said she, one day, "owes her sovereignty to chance; I owe
mine to the power of my genius!" She treated even the most distinguished
of her colleagues with haughty disdain, and often with the grossest
discourtesy; and poor Mlle. Dangeville, the object of her childish
adoration and the most sweet-tempered and inoffensive of women, retired
from the stage ten years earlier than she would otherwise have done,
vowing that it was "impossible to live any longer with such a creature."
As for the younger actresses, they positively trembled before her;
while, with the exception of Voltaire, whose admiration for her she
condescended to reciprocate, there is said to have been not a single
dramatic author of the time whom she had not insulted. The public she
appears to have regarded very much as a queen might her subjects. On the
occasion of a free performance at the Comédie, given by order of the
King, she came on to the stage between the two pieces and threw handfuls
of silver into the pit; and the worthy Parisians, quite gulled by this
piece of theatrical quackery, cried, as they scrambled for the money,
"_Vive le Roi et Mlle. Clairon!_"
Nevertheless, in spite of her arrogance and absurd pretensions, Mlle.
Clairon had the interests of her profession sincerely at heart. She was,
according to her own expression, the _chargé-d'affaires_, the advocate,
and the postillion of the Comédie-Française, and it was always to her
that her comrades turned when in any difficulty or perplexity. It was
through her influence, joined to that of the Comte de Lauraguais, that
the absurd custom of allowing the more distinguished members of the
audience seats upon the stage itself--a custom which seriously hampered
the movements of the players and was utterly destructive of all scenic
illusion--was finally abolished. A word from her was sufficient to
secure the payment of the overdue royal pension to the Comédie, which
the _semainiers_ had vainly solicited from the Comptroller-General; and
she laboured zealously, if unsuccessfully, to free her profession from
the ban of the Church, which had weighed so long and so heavily upon it.
Public-domain text, read in full here on John Shaqi.
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