Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
Although not the greatest, Adrienne Lecouvreur is perhaps the most
interesting, and certainly the most sympathetic, figure in the history
of the French stage. She was the first actress to enjoy not only renown
in the theatre, but consideration in society; she was beloved by the
greatest soldier of her time; she was on terms of the closest friendship
with the greatest poet, and inspired him to a most touching elegy; while
the terrible suspicion attaching to her death and the deplorable scandal
connected with her burial have invested her with a halo of romance. She
seems, moreover, to possess an attraction for French writers which is
shared by no other actress. She has found a well-informed contemporary
biographer in the dramatist d'Allainval; Sainte-Beuve has given her a
place in his _Lundis_, and Michelet one in his _Histoire de France_;
Lemontey pronounced an eloquent _éloge_ of her before the Academy;
Régnier has allotted her a chapter in his _Souvenirs et études du
théâtre_, and M. Larroumet has consecrated to her a fine study in his
_Études de littérature et d'art_. Finally, she has been made the subject
of a famous tragedy,[61] in which the heroine was impersonated by the
greatest French actress of the nineteenth century, Rachel.
Within recent years, interest in Adrienne Lecouvreur has been greatly
stimulated owing to the publication by M. Georges Monval, the learned
archivist of the Comédie-Française, of a collection of the actress's
letters, preceded by an admirable biography, containing much information
about the early part of her theatrical career, of which, up to that
time, little or nothing was known. These letters, besides affording us a
valuable insight into Adrienne's character, contain, in the opinion of
eminent French critics, some truly exquisite pages, which entitle the
writer to a place beside the Caylus, the Staals, the Aïssés, and other
mistresses of the language of her time.
Adrienne Lecouvreur was born on April 5, 1692, at Damery, a little town
of Champagne, overlooking the smiling valley of the Marne. Her father
was a journeyman hatter, named Robert Couvreur;[62] her mother's name
was Marie Bouty. Soon after Adrienne was born, her parents removed to
Fismes, between Rheims and Soissons, and, about the year 1702, migrated
to Paris, where they resided in the Rue des
Fossés-Saint-Germain-des-Prés, close to the Comédie-Française, the
little girl being sent to the Couvent des Filles de l'Instruction
Chrétienne, Rue du Gindre, one of the convents at which a certain number
of poor children received a free education.
Adrienne appears to have had a very unhappy childhood. In a letter in
verse which she addressed, many years later, to her faithful friend
d'Argental, she declares that a divinity "furious and jealous" seated
herself near her cradle and controlled her destiny from her earliest
years. In the "ruin" where she was born,--
"Residaient le misère et l'aigreur,
L'emportement, la grossière fureur."
Public-domain text, read in full here on John Shaqi.
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