Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
The principal rôles created by Adrienne in tragedy were Cléopatre in
the _Antiochus et Cléopatre_ of Deschamps, Antigone in the _Machabées_
of La Motte, Zarès in _Esther_, Nitetis in Danchet's play of that name,
Constance in La Motte's _Inès de Castro_, and the title-part in
Voltaire's _Mariamne_.
The last-named play failed, owing to one of those little incidents so
common to the French stage of that day. At the moment when Mariamne,
condemned to death by poison, was on the point of raising the fatal cup
to her lips, a wag in the pit cried out, "_La Reine boit_," a sally
which was followed by such merriment that the indignant actors declined
to finish the play. Re-written by Voltaire, who this time prudently made
the death of the heroine take place off the stage, it reappeared a year
later, under the title of _Hérode et Mariamne_, when it had twenty-eight
representations, and when played before the Court at Fontainebleau,
moved the young Queen, Marie Leczinska, to tears.
It was during the run of _Mariamne_, in its revised form, that the
quarrel between Voltaire and the Chevalier de Rohan, second son of the
Duc de Rohan-Chabot, took place. The poet and the chevalier were with
several other persons in Adrienne's dressing-room at the theatre;
Voltaire was giving the company the benefit of his views on dramatic art
or some other subject. "Who is that young man who talks so loud?" cried
Rohan, who was in love with Adrienne and very probably jealous of the
friendship existing between her and the poet. "He is one who does not
carry about a great name, but earns respect for the name he has," was
the retort. The chevalier raised his cane threateningly; Voltaire laid
his hand upon his sword; Adrienne promptly sank down in a swoon, or,
perhaps, since she was an actress, in a pretended swoon; both gentlemen
hastened to her assistance, and the quarrel ceased. How, a few days
later, Rohan caused Voltaire to be cudgelled by his lackeys; how the
enraged poet, after taking a course of fencing lessons, challenged his
enemy to a duel, and how, in consequence, he was packed off to the
Bastille, for the second time, are incidents too well known to require
relation here.[74]
Public-domain text, read in full here on John Shaqi.
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