The lover of good literature, however, is likely to come back to
the four stories which we named first in this section. They are the
very flower of Mr. Kipling's work up to the present moment, and on
these we base our highest expectations for his future. _Without
Benefit of Clergy_ is a study of the Indian woman as wife and mother,
uncovenanted wife of the English civilian and mother of his son. The
tremulous passion of Ameera, her hopes, her fears, and her agonies of
disappointment, combine to form by far the most tender page which Mr.
Kipling has written. For pure beauty the scene where Holden, Ameera,
and the baby count the stars on the housetop for Tota's horoscope is
so characteristic that, although it is too long to quote in full, its
opening paragraph must here be given as a specimen of Mr. Kipling's
style in this class of work:
"Ameera climbed the narrow staircase that led to the flat roof. The
child, placid and unwinking, lay in the hollow of her right arm,
gorgeous in silver-fringed muslin, with a small skull-cap on his head.
Ameera wore all that she valued most. The diamond nose-stud that takes
the place of the Western patch in drawing attention to the curve of
the nostril, the gold ornament in the centre of the forehead studded
with tallow-drop emeralds and flawed rubies, the heavy circlet of
beaten gold that was fastened round her neck by the softness of the
pure metal, and the clinking curb-patterned silver anklets hanging low
over the rosy ankle-bone. She was dressed in jade-green muslin, as
befitted a daughter of the Faith, and from shoulder to elbow and elbow
to wrist ran bracelets of silver tied with floss silk; frail glass
bangles slipped over the wrist in proof of the slenderness of the hand,
and certain heavy gold bracelets that had no part in her country's
ornaments, but, since they were Holden's gift, and fastened with a
cunning European snap, delighted her immensely.
"They sat down by the low white parapet of the roof, overlooking the
city and its lights."
What tragedy was in store for the gentle astrologer, or in what
darkness of waters the story ends, it is needless to repeat here.
Public-domain text, read in full here on John Shaqi.
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