It is not, however, from the captious taste of the public that most is
to be feared, but from its indifference. Let it not be believed that,
because a mob of the votaries of Mr. Jerome and Mr. Sims have been
drawn to the precincts of the Abbey to gaze upon a pompous ceremonial,
these admirable citizens have suddenly taken to reading _Lucretius_
or _The Two Voices_. What their praise is worth no one among us would
venture to say in words so unmeasured as those of the dead Master
himself, who, with a prescience of their mortuary attentions, spoke of
these irreverent admirers as those
_Who make it seem more sweet to be_
_The little life of bank and brier,_
_The bird who pipes his lone desire_
_And dies unheard within his tree,_
_Than he that warbles long and loud,_
_And drops at Glory's temple-gates,_
_For whom the carrion-vulture waits_
_To tear his heart before the crowd._
If this is more harsh reproof than a mere idle desire to be excited by
a spectacle or by an event demands, it may nevertheless serve us as
an antidote to the vain illusion that these multitudes are suddenly
converted to a love of fine literature. They are not so converted, and
fine literature--however scandalous it may sound in the ears of this
generation to say it--is for the few.
How long, then, will the many permit themselves to be brow-beaten by
the few? At the present time the oligarchy of taste governs our vast
republic of readers. We tell them to praise the Bishop of Oxford for
his history, and Mr. Walter Pater for his essays, and Mr. Herbert
Spencer for his philosophy, and Mr. George Meredith for his novels.
They obey us, and these are great and illustrious personages about
whom newspaper gossip is continually occupied, whom crowds, when they
have the chance, hurry to gaze at, but whose books (or I am cruelly
misinformed) brave a relatively small circulation. These reputations
are like beautiful churches, into which people turn to cross themselves
with holy water, bow to the altar, and then hurry out again to spend
the rest of the morning in some snug tavern.
Public-domain text, read in full here on John Shaqi.
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