Actors and actresses -- Fiction; Courtship -- Fiction; World War, 1914-1918 -- Veterans -- Fiction
His conclusion to all these specious arguments was that the only way out
of the tangle was for her to consent to a nominal engagement to him that
would bind her to nothing, and yet would give him the right to send her
to New York if Madam Bartlett refused to do so. In answer to Eleanor's
doubts and misgivings, he assured her in polyphonic prose that he knew
her far better than she knew herself, and that he would be "content to
wait at the feet of little Galatea, asking nothing, giving all, until the
happy day when she should wake to life and love and the consciousness
that she was wholly and happily his."
And Galatea read his letters with increasing ardor and slept with them
under her pillow. It was all so secret and romantic, this glorious
adventure rushing to fulfilment, under the prosy surface of everyday
life. Of course she did not want to be married--not for ages and ages;
but to be engaged, to be indefinitely adored by a consummate lover like
Harold Phipps, who so beautifully shared her ambition, was an exciting
and tempting proposition. Like most girls of her type, when her personal
concerns became too complex for reason, she abandoned herself to impulse.
She merely shut her eyes and allowed herself to drift toward a
destination that was not of her choosing. Like a peripatetic Sleeping
Beauty, she moved through the days in a sort of trance, waiting
liberation from her thraldom, but fearing to put her fate to the test by
laying the matter squarely and finally before her grandmother.
It was easy enough to drop out of her old round of festivities. She had
been away all summer, and new groups had formed with which she took no
trouble to ally herself. Her friends seemed inordinately young and
foolish. She wondered how she had ever endured the trivial chatter of
Kitty Mason and the school-boy antics of Pink Bailey and Johnnie
Rawlings. After declining half a dozen invitations she was left in peace,
free to devote all her time to composing her letters, to poring over
plays and books about the theater, or to sitting listless absorbed in
day-dreams.
The one old friend who refused to be disposed of was Quinby Graham. On
one pretext or another he managed to come to the house almost every day,
and he seldom left it without managing to see her. Sometimes when she was
in the most arduous throes of composition, the maid would come to her
door and say: "Mr. Quin's downstairs, and he says can you come to the
steps a minute--he's got something to show you?" Or Miss Isobel would
pause on the threshold to say: "Quinby is looking for you, Eleanor. I
think it is something about a new tire for your automobile."
And Eleanor would impatiently thrust her letter into a desk drawer and go
downstairs, where she would invariably get so interested in what Quin had
to say to her or to show her that she would forget to come up again.
Public-domain text, read in full here on John Shaqi.
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