Actors and actresses -- Fiction; Courtship -- Fiction; World War, 1914-1918 -- Veterans -- Fiction
Eleanor looked at him curiously, and the smallest of puckers appeared
between her perfectly arched brows. Quin saw it at once, and decided that
Rose's recent handling of Mr. Phipps had met with disfavor, and he sighed
as he thought of the hold the older man still had on Eleanor.
During the next difficult weeks Quin devoted all his spare time to the
grateful occupation of diverting the Martels' woe-begone little guest.
Hardly a day passed that he did not suggest some excursion that would
divert her without bringing her into contact with her own social world,
from which she shrank with aversion. On Sundays and half-holidays he took
her on long trolley rides to queer out-of-the-way places where she had
never been before: to Zachary Taylor's grave, and George Rogers Clark's
birthplace, to the venerable tree in Iroquois Park that bore the carved
inscription, "D. Boone, 1735." One Sunday morning they went to Shawnee
Park and rented a rowboat, in which they followed the windings of the
Ohio River below the falls, and had innumerable adventures that kept them
out until sundown.
Eleanor had never before had so much liberty. She came and went as she
pleased; and if she missed a meal the explanation that she was out with
Quin was sufficient. Sometimes when the weather was good she would walk
over to Central Park and meet him when he came home in the evening. They
would sit under the bare trees and talk, or look over the books he had
brought her from the library.
At first she had found his selections a tame substitute for her recent
highly spiced literary diet; but before long she began to take a languid
interest in them. They invariably had to do with outdoor things--stars
and flowers, birds and beasts, and adventures in foreign lands.
"Here's a jim-dandy!" Quin would say enthusiastically. "It's all about
bees. I can't pronounce the guy that wrote it, but, take it from me, he's
got the dope all right."
It was in the long hours of the day, when Eleanor was in the house alone,
that she faced her darkest problems. She had been burnt so badly in her
recent affair that she wanted nothing more to do with fire; yet she was
chilled and forlorn without it. With all her courage she tried to banish
the unworthy image of Harold Phipps, but his melancholy eyes still
exercised their old potent charm, and the memory of his low, insistent
tones still echoed in her ears. She came to the tragic conclusion that
she was the victim of a hopeless infatuation that would follow her to her
grave.
Public-domain text, read in full here on John Shaqi.
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