Actors and actresses -- Fiction; Courtship -- Fiction; World War, 1914-1918 -- Veterans -- Fiction
Pretty little romance back of the production of "Phantom Love" [she
read]. It is rumored that a wealthy young Chicago playwright, having
met with family opposition in winning a young Southern belle, took
advantage of her histrionic ambition, and persuaded her to play a
role in his new play, which he wrote especially for her. Those who
saw the opening performance of "Phantom Love" at Atlantic City
Wednesday night will have little trouble in recognizing the heroine
of the story. Miss Nell Martel is one of the daintiest bits of
femininity that have flitted behind the footlights in many moons.
She has youth and beauty and a certain elusive charm. But the fact
remains that she can not act. For the continued success of the really
brilliant play, let us hope that the young lady's lover may soon
become her husband, and that, having won his prize, he will
substitute a professional for the charming young amateur who is in
no way up to the rest of the really excellent cast.
Eleanor crushed the paper in her hand, flung herself across the bed, and
buried her hot face in the pillow. All her life she had walked unafraid
and inviolate, protected by her social position, the over-zealous
solicitude of the family, and her own purity. She had flown out of the
family nest, confident of her power to take care of herself, to breast
any storm. And here, at the beginning of her flight, she found herself in
utter confusion of body and spirit, powerless to protect herself against
such conduct as Harold's, such printed gossip as lay before her, or such
unspeakable insinuations as Estelle Linton's.
When Papa Claude returned, her first impulse was to pour out her troubles
to him; but second thought restrained her. He was too much a part of that
casual, irresponsible world to take anything it did or said seriously.
She called through the door to him that she had gone to bed and was going
to stay there.
But she did not stay there. She got up and knelt by the open window,
looking across the seething mass of humanity on the boardwalk below to
the calm stretches of blue sea beyond. For the first time, she faced her
problem fairly and squarely. Up to now she had been trying to compromise,
to be broad and tolerant and cosmopolitan. But she had to admit that the
new life satisfied her no more than the old had. One was too
circumscribed, the other too free. If it was true that she had no talent
and was simply tolerated in the company because of Harold Phipps, she
must know it at once. To be drawing a salary that she did not earn, and
accepting favors for which a definite reward would be expected, was
utterly intolerable to her.
Public-domain text, read in full here on John Shaqi.
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